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The Corrections
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Awakenings
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Burr
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Neil Postman
“My point is that we are by now so thoroughly adjusted to the “Now ... this” world of news—a world of fragments, where events stand alone, stripped of any connection to the past, or to the future, or to other events—that all assumptions of coherence have vanished. And so, perforce, has contradiction. In the context of no context, so to speak, it simply disappears. And in its absence, what possible interest could there be in a list of what the President says now and what he said then? It is merely a rehash of old news, and there is nothing interesting or entertaining in that. The only thing to be amused about is the bafflement of reporters at the public’s indifference. There is an irony in the fact that the very group that has taken the world apart should, on trying to piece it together again, be surprised that no one notices much, or cares.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

Neil Postman
“How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve? For most of us, news of the weather will sometimes have such consequences ; for investors, news of the stock market; perhaps an occasional story about a crime will do it, if by chance the crime occurred near where you live or involved someone you know. But most of our daily news is inert, consisting of information that gives us something to talk about but cannot lead to any meaningful action. This fact is the principal legacy of the telegraph: By generating an abundance of irrelevant information, it dramatically altered what may be called the “information-action ratio.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

Neil Postman
“The last refuge is, of course, giving your opinion to a pollster, who will get a version of it through a desiccated question, and then will submerge it in a Niagara of similar opinions, and convert them into—what else?—another piece of news.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

Neil Postman
“What is happening here is that television is altering the meaning of “being informed” by creating a species of information that might properly be called disinformation. I am using this word almost in the precise sense in which it is used by spies in the CIA or KGB. Disinformation does not mean false information. It means misleading information—misplaced, irrelevant, fragmented or superficial information—information that creates the illusion of knowing something but which in fact leads one away from knowing. In saying this, I do not mean to imply that television news deliberately aims to deprive Americans of a coherent, contextual understanding of their world. I mean to say that when news is packaged as entertainment, that is the inevitable result.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

Rashid Khalidi
“The Zionists’ colonial enterprise, aimed at taking over the country, necessarily had to produce resistance. “If you wish to colonize a land in which people are already living,” Jabotinsky wrote in 1925, “you must find a garrison for the land, or find a benefactor who will provide a garrison on your behalf.… Zionism is a colonizing venture and, therefore, it stands or falls on the question of armed forces.”81 At least initially, only the armed forces provided by Britain could overcome the natural resistance of those being colonized.”
Rashid Khalidi, The Hundred Years' War on Palestine: A History of Settler Colonialism and Resistance, 1917–2017

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