Jack Monahan

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Varieties of Mean...
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Alasdair MacIntyre
“we are never more (and sometimes less) than the co-authors of our own narratives.”
Alasdair MacIntyre, After Virtue: A Study in Moral Theory

Alasdair MacIntyre
“The true genre of the life is neither hagiography nor saga, but tragedy.”
Alasdair MacIntyre, After Virtue: A Study in Moral Theory

G.K. Chesterton
“At any innocent tea-table we may easily hear a man say, "Life is not worth living." We regard it as we regard the statement that it is a fine day; nobody thinks that it can possibly have any serious effect on the man or on the world. And yet if that utterance were really believed, the world would stand on its head. Murderers would be given medals for saving men from life; firemen would be denounced for keeping men from death; poisons would be used as medicines; doctors would be called in when people were well; the Royal Humane Society would be rooted out like a horde of assassins. Yet we never speculate as to whether the conversational pessimist will strengthen or disorganize society; for we are convinced that theories do not matter.”
G.K. Chesterton, Heretics

Alasdair MacIntyre
“For Kant one can be both good and stupid; but for Aristotle stupidity of a certain kind precludes goodness.”
Alasdair C. MacIntyre, After Virtue

Mark Fisher
“Depressive ontology is dangerously seductive because, as the zombie twin of a certain philosophical wisdom, it is half true. As the depressive withdraws from the vacant confections of the lifeworld, he unwittingly finds himself in concordance with the human condition so painstakingly diagrammed by a philosopher like Spinoza: he sees himself as a serial consumer of empty simulations, a junky hooked on every kind of deadening high, a meat puppet of the passions. The depressive cannot even lay claim to the comforts that a paranoiac can enjoy, since he cannot believe that the strings are being pulled by any one. No flow, no connectivity in the depressive’s nervous system.”
Mark Fisher, Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures

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