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Holly Black
“Oak gave up his room so they could sleep there, and although the bed is small, Cardan cannot mind when he takes Jude in his arms.

'You're probably missing your fancy palace right about now,' she whispers to him in the dark.

He traces the edge of her lip, runs his finger over the soft human hair of her cheek, pausing on a freckle and comes to rest on a tiny scar, a line of pale skin drawn there by some blade.

He considers explaining how much he despised the palace as a child, how he dreamed of escaping Elfhame. She knows most of that already. Then he considers reminding her that the fancy palace is now as much hers as his. 'Not in the least,' he says instead, and feels her smile against his skin.

But once he starts recalling his desire to leave Elfhame, he can't help but also recall how desperately she wanted to stay. And how difficult that had been, how hard she had fought, how hard she was still fighting, even now that she didn't have to.

'Why didn't you hate everyone?' he asks. 'Everyone, all the time.'

'I hated you,' Jude reassures him, bringing her mouth to his.”
― Holly Black, How the King of Elfhame Learned to Hate Stories

Holly Black
“Cardan lies on the rug with one arm propping up his head and the other slung across Jude's waist. He understands everything and nothing he sees on the screen- just as he understands everything and nothing about being here with her family. He feels like a feral cat that might bite out of habit.”
― Holly Black, How the King of Elfhame Learned to Hate Stories

Heather Fawcett
“I prefer your company, Em."
He said it as if it were obvious. I snorted again, assuming he was teasing me. "Over the company of a tavern filled with a rapt and grateful audience? I'm sure you do."
"Over anyone else's company." Again, he said it with some amusement, as if wondering what I was doing speculating about something so evident.
"You are drunk," I said.
"Shall I prove it to you?"
"No, you shan't," I said, alarmed, but he was already sweeping to the floor, bending his knee and taking my hand between his.
"What in God's name are you doing?" I said between my teeth. "And why are you doing it now?"
"Shall I make an appointment?" he said, then laughed. "Yes, I believe you would like that. Well, name the time when it would be convenient for you to receive a declaration of love."
"Oh, get up," I said, furious now. "What sort of jest is this, Wendell?"
"You don't believe me?" He smiled, all mischief, a look I'd seen from other Folk, enough to know not to trust him one inch. "Ask for my true name, and I'll give it to you."
"Why on earth would you do that?" I demanded, yanking my hand back.
"Oh, Em," he said forlornly. "You are the cleverest dolt I have ever met."
I stared at him, my heart thundering. Of course, I am not a dolt in any sense; I had supposed he felt something for me and had only hoped he would keep it to himself. Forever. Not that a part of me didn't wish for the opposite. But that was when I assumed his feelings in that respect were equivalent to what he felt for any of the nameless women who passed in and out of his bed. And why would I lower myself to that, when he and I already had something that was vastly more valuable?”
― Heather Fawcett, Emily Wilde's Encyclopaedia of Faeries

Veronica Roth
“I laugh, and it’s laughter, not light, that casts out the darkness building within me, that reminds me I am still alive, even in this strange place where
everything I’ve ever known is coming apart. I know some things—I know that I’m not alone, that I have friends, that I’m in love. I know where I came from. I know that I don’t want to die, and for me, that’s something—more than I could have said a few weeks ago.”
― Veronica Roth, Allegiant

E. Lockhart
“And then he's grabbing my hand, and pulling me into a storage room they use for art supplies. And he puts his finger to his lips, and the walls are filled with pads of paper and boxes of colored pencils and jars of paint,
and I'm laughing
and he shuts the door behind us
and leans up against it to stop anyone coming in
and like he's trying to get up his nerve now that he's started something,
before we've ever gone to the dumplings and the movies—
he leans in and kisses me.
His lips are cold. The kiss is soft. He has gum in his mouth, and he stops, and giggles nervously, and takes it out and throws it in the trash can,
and looks like he feels embarrassed to have kissed me with the gum,
but I don't care,
and so now I kiss him,
and he's tall enough that he has to bend down to get to me,
and I put my hand on his neck, which is smooth and warm,
and we kiss for a minute in the storage room,and I want to run my hands up his shirt suddenly—
but I don't.
He pulls away for a second and touches my cheek.
“I thought you'd never ask,” he whispers.
“I thought I never would either,” I say, “but I did.”
“Good job,” he says, and kisses me again.”
― E. Lockhart, Fly on the Wall: How One Girl Saw Everything

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