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In the Woods
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by Tana French (Goodreads Author)
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  (page 32 of 448)
Aug 18, 2026 07:45PM

 
The Spy Who Came ...
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Aug 16, 2026 04:27PM

 
A Fever in the He...
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See all 13 books that AGB is reading…
Book cover for Apeirogon
Readers familiar with the political situation in Israel and Palestine will notice that the driving forces in the heart of this book, Bassam Aramin and Rami Elhanan, are real. By “real” I mean that their stories—and those of their daughters, ...more
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John  Williams
“He stood looking at her for a long time. He felt a distant pity and reluctant friendship and familiar respect; and he felt also a weary sadness, for he knew that no longer could the sight of her bring upon him the agony of desire that he had once known, and knew that he would never again be moved as he had once been moved by her presence. The sadness lessened, and he covered her gently, turned out the light, and got in bed beside her.”
John Williams, Stoner

Thomas Mann
“Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry. But also, it gives birth to the opposite: to the perverse, the illicit, the absurd.”
Thomas Mann, Death in Venice and Other Tales

Colum McCann
“Above his desk he tacked a line he remembered from the Persian poet, Rumi: Yesterday I was clever, so I wanted to change the world. Today I am wise, so I have begun to change myself.”
Colum McCann, Apeirogon

John  Williams
“she grew up with a frail talent in the more genteel arts, and no knowledge of the necessity of living from day to day. Her needlepoint was delicate and useless, she painted misty landscapes of thin water-color washes, and she played the piano with a forceless but precise hand; yet she was ignorant of her own bodily functions, she had never been alone to care for her own self one day of her life, nor could it ever have occurred to her that she might become responsible for the well-being of another. Her life was invariable, like a low hum; and it was watched over by her mother, who, when Edith was a child, would sit for hours watching her paint her pictures or play her piano, as if no other occupation were possible for either of them.”
John Williams, Stoner

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