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His memorial would exist only in the memories of laughter and good times on those Sunday mornings when he had been happy.
“You can safely assume you've created God in your own image when it turns out that God hates all the same people you do.”
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“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
― The Bell Jar
― The Bell Jar
“Artists don’t get down to work until the pain of working is exceeded by the pain of not working.”
― Art & Fear: Observations on the Perils (and Rewards) of Artmaking
― Art & Fear: Observations on the Perils (and Rewards) of Artmaking
“Making art now means working in the face of uncertainty ; it means living with doubt and contradiction, doing something no one much cares whether you do, and for which there may be neither audience nor reward. Making the work you want to make means setting aside these doubts so that you may see clearly what you have done, and thereby see where to go next. Making the work you want to make means finding nourishment within the work itself.”
― Art & Fear: Observations on the Perils (and Rewards) of Artmaking
― Art & Fear: Observations on the Perils (and Rewards) of Artmaking
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