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“I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I'm gone which would not have happened if I had not come.”
― Midnight’s Children
― Midnight’s Children
“In Thus Spoke Zarathustra, Nietzsche introduced the concept of the Übermensch: an exemplary, transcendent figure who is the polar opposite of “the last man” or “men without chests.” The Übermensch is virtuous, loyal, ambitious and outspoken, disdainful of religious dogma and suspicious of received wisdom, intensely engaged in the hurly-burly of the real world. Above all he is passionate—a connoisseur of both “the highest joys” and “the deepest sorrows.” He believes in the moral imperative to defend (with his life, if necessary) ideals such as truth, beauty, honor, and justice. He is self-assured. He is a risk taker. He regards suffering as salutary, and scorns the path of least resistance.”
― Where Men Win Glory: The Odyssey of Pat Tillman
― Where Men Win Glory: The Odyssey of Pat Tillman
“Africa.
That bird came from Africa.
But you mustn't cry for that bird, Paulie, because after a while it forgot about how the veldt smelled at noonday, and the sounds of the wildebeests at the waterhole, and the high acidic smell of the ieka-ieka trees in the great clearing north of the Big road. After awhile it forgot the cerise color of the sun dying behind Kilimanjaro. After awhile it only knew the muddy, smogged-out sunsets of Boston, that was all it remembered and all it wanted to remember. After awhile it didn't want to go back anymore, and if someone took it back and set it free it would only crouch in one place, afraid and hurting and homesick in two unknown and terribly ineluctable directions until something came along and killed it.
'Oh Africa, oh, shit,' he said in a trembling voice.”
― Misery
That bird came from Africa.
But you mustn't cry for that bird, Paulie, because after a while it forgot about how the veldt smelled at noonday, and the sounds of the wildebeests at the waterhole, and the high acidic smell of the ieka-ieka trees in the great clearing north of the Big road. After awhile it forgot the cerise color of the sun dying behind Kilimanjaro. After awhile it only knew the muddy, smogged-out sunsets of Boston, that was all it remembered and all it wanted to remember. After awhile it didn't want to go back anymore, and if someone took it back and set it free it would only crouch in one place, afraid and hurting and homesick in two unknown and terribly ineluctable directions until something came along and killed it.
'Oh Africa, oh, shit,' he said in a trembling voice.”
― Misery
“Dear Jesus, please get me out. Christ, please, please, please, Christ. If you only keep me from being killed I'll do anything you say. I believe in you and I'll tell everybody in the world that you are the only thing that matters. Please, please, dear Jesus' The shelling moved further up the line. We went to work on the trench and in the morning the sun came up and the day was hot and muggy and cheerful and quiet. The next night back at Mestre he did not tell the girl he went upstairs with at the Villa Rosa about Jesus. And he never told anybody.”
― In Our Time
― In Our Time
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