mon
https://www.goodreads.com/epanouiange
“The problem is that white people see racism as conscious hate, when racism is bigger than that. Racism is a complex system of social and political levers and pulleys set up generations ago to continue working on the behalf of whites at other people’s expense, whether whites know/like it or not. Racism is an insidious cultural disease. It is so insidious that it doesn’t care if you are a white person who likes black people; it’s still going to find a way to infect how you deal with people who don’t look like you. Yes, racism looks like hate, but hate is just one manifestation. Privilege is another. Access is another. Ignorance is another. Apathy is another. And so on. So while I agree with people who say no one is born racist, it remains a powerful system that we’re immediately born into. It’s like being born into air: you take it in as soon as you breathe. It’s not a cold that you can get over. There is no anti-racist certification class. It’s a set of socioeconomic traps and cultural values that are fired up every time we interact with the world. It is a thing you have to keep scooping out of the boat of your life to keep from drowning in it. I know it’s hard work, but it’s the price you pay for owning everything.”
―
―
“To You"
What is more beautiful than night
and someone in your arms
that’s what we love about art
it seems to prefer us and stays
if the moon or a gasping candle
sheds a little light or even dark
you become a landscape in a landscape
with rocks and craggy mountains
and valleys full of sweaty ferns
breathing and lifting into the clouds
which have actually come low
as a blanket of aspirations’ blue
for once not a melancholy color
because it is looking back at us
there’s no need for vistas we are one
in the complicated foreground of space
the architects are most courageous
because it stands for all to see
and for a long long time just as
the words “I’ll always love you"
impulsively appear in the dark sky
and we are happy and stick by them
like a couple of painters in neon allowing
the light to glow there over the river”
― The Collected Poems of Frank O'Hara
What is more beautiful than night
and someone in your arms
that’s what we love about art
it seems to prefer us and stays
if the moon or a gasping candle
sheds a little light or even dark
you become a landscape in a landscape
with rocks and craggy mountains
and valleys full of sweaty ferns
breathing and lifting into the clouds
which have actually come low
as a blanket of aspirations’ blue
for once not a melancholy color
because it is looking back at us
there’s no need for vistas we are one
in the complicated foreground of space
the architects are most courageous
because it stands for all to see
and for a long long time just as
the words “I’ll always love you"
impulsively appear in the dark sky
and we are happy and stick by them
like a couple of painters in neon allowing
the light to glow there over the river”
― The Collected Poems of Frank O'Hara
“The all-night convenience store's empty
and no one is behind the counter.
You open and shut the glass door a few times
causing a bell to go off,
but no one appears. You only came
to buy a pack of cigarettes, maybe
a copy of yesterday's newspaper --
finally you take one and leave
thirty-five cents in its place.
It is freezing, but it is a good thing
to step outside again:
you can feel less alone in the night,
with lights on here and there
between the dark buildings and trees.
Your own among them, somewhere.
There must be thousands of people
in this city who are dying
to welcome you into their small bolted rooms,
to sit you down and tell you
what has happened to their lives.
And the night smells like snow.
Walking home for a moment
you almost believe you could start again.
And an intense love rushes to your heart,
and hope. It's unendurable, unendurable.”
―
and no one is behind the counter.
You open and shut the glass door a few times
causing a bell to go off,
but no one appears. You only came
to buy a pack of cigarettes, maybe
a copy of yesterday's newspaper --
finally you take one and leave
thirty-five cents in its place.
It is freezing, but it is a good thing
to step outside again:
you can feel less alone in the night,
with lights on here and there
between the dark buildings and trees.
Your own among them, somewhere.
There must be thousands of people
in this city who are dying
to welcome you into their small bolted rooms,
to sit you down and tell you
what has happened to their lives.
And the night smells like snow.
Walking home for a moment
you almost believe you could start again.
And an intense love rushes to your heart,
and hope. It's unendurable, unendurable.”
―
“During the Vietnam War... every respectable artist in this country was against the war. It was like a laser beam. We were all aimed in the same direction. The power of this weapon turns out to be that of a custard pie dropped from a stepladder six feet high.”
―
―
“We believe the one who has power. He is the one who gets to write the story. So when you study history, you must ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there you get a clearer, yet still imperfect, picture.”
― Homegoing
― Homegoing
mon’s 2025 Year in Books
Take a look at mon’s Year in Books, including some fun facts about their reading.
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