Maggie Flowers

“Why bother inflicting enormous pain on yourself when sooner or later Life would certainly get around to doing it for you?”
― Jeff Lindsay, Dexter by Design

“Why do I take a blade and slash my arms? Why do I drink myself into a stupor? Why do I swallow bottles of pills and end up in A&E having my stomach pumped? Am I seeking attention? Showing off? The pain of the cuts releases the mental pain of the memories, but the pain of healing lasts weeks. After every self-harming or overdosing incident I run the risk of being sectioned and returned to a psychiatric institution, a harrowing prospect I would not recommend to anyone.
So, why do I do it? I don't. If I had power over the alters, I'd stop them. I don't have that power. When they are out, they're out. I experience blank spells and lose time, consciousness, dignity. If I, Alice Jamieson, wanted attention, I would have completed my PhD and started to climb the academic career ladder. Flaunting the label 'doctor' is more attention-grabbing that lying drained of hope in hospital with steri-strips up your arms and the vile taste of liquid charcoal absorbing the chemicals in your stomach.
In most things we do, we anticipate some reward or payment. We study for status and to get better jobs; we work for money; our children are little mirrors of our social standing; the charity donation and trip to Oxfam make us feel good. Every kindness carries the potential gift of a responding kindness: you reap what you sow. There is no advantage in my harming myself; no reason for me to invent delusional memories of incest and ritual abuse. There is nothing to be gained in an A&E department.”
― Alice Jamieson, Today I'm Alice: Nine Personalities, One Tortured Mind

“I asked her if she believed in love, and she smiled and said it was her most elaborate method of self-harm.”
― Benedict Smith

“You don't feel like you're hurting yourself when you're cutting. You feel like this is the only way to take care of yourself.”
― Marilee Strong, A Bright Red Scream: Self-Mutilation and the Language of Pain