Emily

“Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.”
― Mark Z. Danielewski, House of Leaves

“Euphoria, picked at like a blister, voided itself.”
― Gretchen Felker-Martin, Cuckoo

“One scene stayed with de Chauliac forever, obsessing him, even though, mercifully, the rest would blur; he saw a devil with wide black wings gripped by two angels, who drove it down and seemed to speak in its ears as they fell; they hit the bend of the Rhone, sending up a great, illuminated plume of water visible from Orange.

Two angels and a devil had tumbled into the water.

Three angels came up.

Forgiveness, then, was possible even for the worst.”
― Christopher Buehlman, Between Two Fires

“He hadn’t been able to love her, his soft round wife with her wavy golden hair and ruddy cheeks, the product falsely advertised by the thin, hollow-cheeked woman in their wedding photo, and he hated that John hadn’t minded at all, that his fat wife and his fat son had adored each other, had even sometimes been happy in spite of the cold, looming presence of his martyred disapproval.”
― Gretchen Felker-Martin, Cuckoo