Barbara Monk

“Human beings are curators. Each polishes his or her own favoured memories, arranging them in order to create a narrative that pleases. Some events are repaired and polished for display; others are deemed unworthy and cast aside, shelved below ground in the overflowing storeroom of the mind. There, with any luck, they are promptly forgotten. The process is not dishonest: it is the only way that people can live with themselves and the weight of their experiences.”
― Kate Morton, The Clockmaker's Daughter

“Readers don’t work for writers. They work for themselves.”
― Mohsin Hamid, How to Get Filthy Rich in Rising Asia

“Months later, in a different world, Nechuma will look back on this evening, the last Passover when they were nearly all together, and wish with every cell in her body that she could relive it. She will remember the familiar smell of the gefilte, the chink of silver on porcelain, the taste of parsley, briny and bitter on her tongue. She will long for the touch of Felicia's baby-soft skin, the weight of Jakob's hand on hers beneath the table, the wine-induced warmth in the pit of her belly that begged her to believe that everything might actually turn out all right in the end. She will remember how happy Halina had looked at the piano after their meal, how they had danced together, how they all spoke of missing Addy, assuring each other that he'd be home soon. She will replay it all, over and over again, every beautiful moment of it, and savor it, like the last perfect klapsa pears of the season.”
― Georgia Hunter, We Were the Lucky Ones

“But her angry feminism had set as hard as concrete during years of living alongside the tough, hardworking, dirt-poor women of London’s East End. Men often told a fairy tale in which there was a division of labor in families, the man going out to earn money, the woman looking after home and children. Reality was different. Most of the women Ethel knew worked twelve hours a day and looked after home and children as well. Underfed, overworked, living in hovels, and dressed in rags, they could still sing songs and laugh and love their children. In Ethel’s view one of those women had more right to vote than any ten men.”
― Ken Follett, Fall of Giants