My Missing Arm

“It’s always amusing to me, you take a book, say, To Kill a Mockingbird, throw away three quarters of it and win an Academy Award for best adapted screenplay. But if you take a screenplay and add three quarters of original material to it––which is a much, much more difficult piece of writing––well, that’s by definition ‘hackwork.’ And it’s much harder, having done both, to take a screenplay and make a book out of it than [to] take a terrific book and make a screenplay out of it.”
― Alan Dean Foster

“I was forty-five years old and tired of being an artist. Besides, I owed $20,000 to relatives, finance companies, banks and assorted bookmakers and shylocks. It was really time to grow up and sell out as Lenny Bruce once advised. So I told my editors 'OK, I'll write a book about the mafia, just give me some money to get started'.”
― Mario Puzo

“As a prospective writer, I would urge you to not only read good books. Read terrible books as well, because they can be more inspiring than the good books. If you are inspired by a good book, there’s always the danger of plagiarism, of doing something that is too much like that good book. Whereas, a genuinely helpful reaction to a piece of work that you’re reading is, ‘Jesus Christ, I could write this shit!’ That is immensely liberating — to find somebody who is published who is doing much, much worse than you. And by analyzing why they are doing so badly, this will immensely help your own style. You’ll find out all of the mistakes not to make. ‘Why did this story offend me so much?’ Analyze that. Find out why you didn’t like it. Find out all of the examples of clumsiness or bad thinking that spoiled the story for you. That will probably be a lot more helpful to your career as a writer.”
― Alan Moore

“If a woman had written One Day, it would have been airport fiction. Look at The Marriage Plot by Jeffrey Eugenides. If I had written that, it would have had a pink, fluffy cover on it. If Jenny Eugenides had written it, it would have had a pink fluffy cover on it. What is it about? It’s about a woman choosing between two men. What is The Corrections about, by Jonathan Franzen? It’s about a family, right? And I’m attacking gun control and teen suicide and end-of-life care and the Holocaust, and I’m writing women’s fiction?”
― Jodi Picoult