My Missing Arm

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Atonement
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by Ian McEwan (Goodreads Author)
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Alan             Moore
“As a prospective writer, I would urge you to not only read good books. Read terrible books as well, because they can be more inspiring than the good books. If you are inspired by a good book, there’s always the danger of plagiarism, of doing something that is too much like that good book. Whereas, a genuinely helpful reaction to a piece of work that you’re reading is, ‘Jesus Christ, I could write this shit!’ That is immensely liberating — to find somebody who is published who is doing much, much worse than you. And by analyzing why they are doing so badly, this will immensely help your own style. You’ll find out all of the mistakes not to make. ‘Why did this story offend me so much?’ Analyze that. Find out why you didn’t like it. Find out all of the examples of clumsiness or bad thinking that spoiled the story for you. That will probably be a lot more helpful to your career as a writer.”
Alan Moore

Jodi Picoult
“If a woman had written One Day, it would have been airport fiction. Look at The Marriage Plot by Jeffrey Eugenides. If I had written that, it would have had a pink, fluffy cover on it. If Jenny Eugenides had written it, it would have had a pink fluffy cover on it. What is it about? It’s about a woman choosing between two men. What is The Corrections about, by Jonathan Franzen? It’s about a family, right? And I’m attacking gun control and teen suicide and end-of-life care and the Holocaust, and I’m writing women’s fiction?”
Jodi Picoult

Mickey Spillane
“I'm a commercial writer. I'm not in this for arts sake. I'm in it to make money. It's my way of living. My machine is the typewriter. That's my tool. And I tell everybody that; 'This is a commercial business with me'. And a lot of them think this is a terrible thing to say; 'You should do it for arts sake'. Baloney, arts sake! This is the way I like to live. It allows me to do anything I want.”
Mickey Spillane

Stephen  King
“One learns most clearly what not to do by reading bad prose---one novel like Asteroid Miners (or Valley of the Dolls, Flowers in the Attic, and The Bridges of Madison County, to name just a few) is worth a semester at a good writing school, even with the superstar guest lecturers thrown in.”
Stephen King, On Writing: A Memoir of the Craft

Mario Puzo
“I was forty-five years old and tired of being an artist. Besides, I owed $20,000 to relatives, finance companies, banks and assorted bookmakers and shylocks. It was really time to grow up and sell out as Lenny Bruce once advised. So I told my editors 'OK, I'll write a book about the mafia, just give me some money to get started'.”
Mario Puzo

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