C

“I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself.”
― Neil Gaiman

“I reached out my hand, England's rivers turned and flowed the other way...
I reached out my hand, my enemies's blood stopt in their veins...
I reached out my hand; thought and memory flew out of my enemies' heads like a flock of starlings;
My enemies crumpled like empty sacks.
I came to them out of mists and rain;
I came to them in dreams at midnight;
I came to them in a flock of ravens that filled a northern sky at dawn;
When they thought themselves safe I came to them in a cry that broke the silence of a winter wood...

The rain made a door for me and I went through it;
The stones made a throne for me and I sat upon it;
Three kingdoms were given to me to be mine forever;
England was given to me to be mine forever.
The nameless slave wore a silver crown;
The nameless slave was a king in a strange country...

The weapons that my enemies raised against me are venerated in Hell as holy relics;
Plans that my enemies made against me are preserved as holy texts;
Blood that I shed upon ancient battlefields is scraped from the stained earth by Hell's sacristans and placed in a vessel of silver and ivory.
I gave magic to England, a valuable inheritance
But Englishmen have despised my gift
Magic shall be written upon the sky by the rain but they shall not be able to read it;
Magic shall be written on the faces of the stony hills but their minds shall not be able to contain it;
In winter the barren trees shall be a black writing but they shall not understand it...

Two magicians shall appear in England...
The first shall fear me; the second shall long to behold me;
The first shall be governed by thieves and murderers; the second shall conspire at his own destruction;
The first shall bury his heart in a dark wood beneath the snow, yet still feel its ache;
The second shall see his dearest posession in his enemy's hand...

The first shall pass his life alone, he shall be his own gaoler;
The second shall tread lonely roads, the storm above his head, seeking a dark tower upon a high hillside...

I sit upon a black throne in the shadows but they shall not see me.
The rain shall make a door for me and I shall pass through it;
The stones shall make a throne for me and I shall sit upon it...

The nameless slave shall wear a silver crown
The nameless slave shall be a king in a strange country...”
― Susanna Clarke, Jonathan Strange & Mr Norrell

“There was a girl, and her uncle sold her. Put like that it seems so simple.

No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique.

Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children?

We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.

Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.

A life that is, like any other, unlike any other.

And the simple truth is this: There was a girl, and her uncle sold her.”
― Neil Gaiman, American Gods

“Don't lies eventually lead to the truth? And don't all my stories, true or false, tend toward the same conclusion? Don't they all have the same meaning? So what does it matter whether they are true or false if, in both cases, they are significant of what I have been and what I am? Sometimes it is easier to see clearly into the liar than into the man who tells the truth. Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object.”
― Albert Camus, The Fall