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Cosmopolis
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Japanse filosofie
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Future Days: Krau...
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Joseph Roth
“Maar de zee is eeuwig, rein en onberoerd door het kinderlijke en akelige spel van de mensen. Men heeft uitzicht in de wijde oneindigheid van hemel en water en vergeet. De wind, die de hakenkruisvlag laat wapperen, heeft geen weet van haar. De golf waarin ze weerspiegeld wordt kan niet helpen dat ze wordt ontwijd. Zo dwaas zijn de mensen dat ze zelfs in het aangezicht van deze eeuwigheden niet tot ontzag worden gedwongen.”
Joseph Roth, Waarnemer Van Zijn Tijd - Een keuze Uit Zijn Journalistieke Werk

Joseph Roth
“Daar is een kerkhof, vol ijzeren kruisen, niet die, die op de borst hangen, maar de echte, die op grafheuvels staan. Dit is het Duitse kerkhof bij Bovincourt. Daar liggen 40.000 onbekende soldaten. Daar komen telkens achtergeblevenen, die weggeblevenen zoeken. Daar loopt de Franse bewaker rond, en drukt iedere Duitser die komt de hand en vraagt aan iedere Duitser: 'Kameraad, waarom hebben we gevochten?' - Eeuwige vraag van alle bewakers van oorlogskerkhoven. Je wordt pacifist te midden van 40.000 onbekende dode soldaten.”
Joseph Roth, Waarnemer Van Zijn Tijd - Een keuze Uit Zijn Journalistieke Werk

Nicolás Gómez Dávila
“In tijden van volledige vrijheid neemt onverschilligheid voor de waarheid zo'n hoge vlucht, dat niemand de moeite neemt om een waarheid te bevestigen of weerleggen.”
Nicolás Gómez Dávila, De authentieke reactionair: Handorakel van Nicolás Gómez Dávila

Cesare Pavese
“You know where every impulse leads. Master all those that would carry you into situations you know and despise. If you cannot do that, you will never do anything.”
Cesare Pavese, Il mestiere di vivere: Diario 1935-1950

John Steinbeck
“The houses were left vacant on the land, and the land was vacant because of this. Only the tractor sheds of corrugated iron, silver and gleaming, were alive; and they were alive with metal and gasoline and oil, the disks of the plows shining. The tractors had lights shining, for there is no day and night for a tractor and the disks turn the earth in the darkness and they glitter in the daylight. And when a horse stops work and goes into the barn there is a life and a vitality left, there is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn, and the heat and smell of life. But when the motor of a tractor stops, it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a corpse. Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy that the wonder goes out of work, so efficient that the wonder goes out of land and the working of it, and with the wonder the deep understanding and the relation. And in the tractor man there grows the contempt that comes only to a stranger who has little understanding and no relation. For nitrates are not the land, nor phosphates; and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt nor water nor calcium. He is all these, but he is much more, much more; and the land is so much more than its analysis. The man who is more than his chemistry, walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch; that man who is more than his elements knows the land that is more than its analysis. But the machine man, driving a dead tractor on land he does not know and love, understands only chemistry; and he is contemptuous of the land and of himself. When the corrugated iron doors are shut, he goes home, and his home is not the land.”
John Steinbeck, The Grapes of Wrath

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