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Yesteryear
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Book cover for Memories of My Melancholy Whores
The truth is that the first changes are so slow they pass almost unnoticed, and you go on seeing yourself as you always were, from the inside, but others observe you from the outside.
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Richard Rodríguez
“To many persons around him, he appears too much the academic. There may be some things about him that recall his beginnings—his shabby clothes; his persistent poverty; or his dark skin (in those cases when it symbolizes his parents’ disadvantaged condition)—but they only make clear how far he has moved from his past. He has used education to remake himself. They expect—they want—a student less changed by his schooling. If the scholarship boy, from a past so distant from the classroom, could remain in some basic way unchanged, he would be able to prove that it is possible for anyone to become educated without basically changing from the person one was. The scholarship boy does not straddle, cannot reconcile, the two great opposing cultures of his life. His success is unromantic and plain. He sits in the classroom and offers those sitting beside him no calming reassurance about their own lives. He sits in the seminar room—a man with brown skin, the son of working-class Mexican immigrant parents.”
― Richard Rodriguez, Hunger of Memory

Charles Bukowski
“Some people never go crazy. What truly horrible lives they must lead.”
― Charles Bukowski

John Steinbeck
“It is not good to want a thing too much. It sometimes drives the luck away. You must want it just enough, and you must be very tactful with Gods or the gods.”
― John Steinbeck, The Pearl

John Steinbeck
“For it is said that humans are never satisfied, that you give them one thing and they want something more. And this is said in disparagement, whereas it is one of the greatest talents the species has and one that has made it superior to animals that are satisfied with what they have.”
― John Steinbeck, The Pearl

John Steinbeck
“Luck, you see, brings bitter friends.”
― John Steinbeck, The Pearl

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