Tiff

“No. No!” he says.
“I . . .” He looks wildly around the room. For inspiration? For divine intervention? I don’t know.

“You can’t go. Ana, I love you!”
“I love you, too, Christian, it’s just—”
“No . . . no!” he says in desperation and puts both hands on his head. “Christian . . .”
“No,” he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesn’t move. What?
“Christian, what are you doing?”
He continues to stare down, not looking at me.
“Christian! What are you doing?”
My voice is high-pitched. He doesn’t move.
“Christian, look at me!” I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gaze—he’s almost serene . . . expectant.
Holy Fuck . . . Christian. The submissive.”
― E.L. James, Fifty Shades Darker

“Is it possible for home to be a person and not a place?”
― Stephanie Perkins, Anna and the French Kiss

“You can divide infinity an infinite number of times, and the resulting pieces will still be infinitely large,” Uresh said in his odd Lenatti accent. “But if you divide a non-infinite number an infinite number of times the resulting pieces are non-infinitely small. Since they are non-infinitely small, but there are an infinite number of them, if you add them back together, their sum is infinite. This implies any number is, in fact, infinite.”
“Wow,” Elodin said after a long pause. He leveled a serious finger at the Lenatti man. “Uresh. Your next assignment is to have sex. If you do not know how to do this, see me after class.”
― Patrick Rothfuss, The Wise Man's Fear

“I wasn't aware we were fighting. I thought we were communicating,”
― E.L. James, Fifty Shades Darker