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Bob Koo
https://www.goodreads.com/flyingbk
History is the study of change through time, and theoretically, it could be about almost anything that happens. But it must be selective if it is to be intelligible. Indeed, in practice, what we call “history” leaves out many of the most
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“How is it that in a supposedly relativistic, you-do-you age, so many people have been shamed or “dragged” online, helplessly watching their reputation or career be destroyed? The answer is not just that some people are mean but that the form of the web undermines moral reconciliation”
― Digital Liturgies: Rediscovering Christian Wisdom in an Online Age
― Digital Liturgies: Rediscovering Christian Wisdom in an Online Age
“The judge asked the question on everyone’s mind: What possibly could have occupied his time—2½ years of absence from work? What was he doing?
“Exercising,” he said.
Doing house projects.
Beale told investigators he would usually get some reading or bicycling done, too.
There it was. John Beale lied for more than a decade and spent the spoils of his charade as anyone else would spend a lazy Sunday.
The judge gave him 32 months.”
―
“Exercising,” he said.
Doing house projects.
Beale told investigators he would usually get some reading or bicycling done, too.
There it was. John Beale lied for more than a decade and spent the spoils of his charade as anyone else would spend a lazy Sunday.
The judge gave him 32 months.”
―
“All parenting involves choosing between the day (why have another argument at dinner?) and the years (the child must learn to eat vegetables). Nancy’s error seems to have been that she always focussed on the day, in a ceaseless quest to keep peace in the home she shared with the hypersensitive, controlling, increasingly hostile stranger who was her son. She thought that she could keep the years at bay by making each day as good as possible, but her willingness to indulge his isolation may well have exacerbated the problems it was intended to ameliorate.”
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“Understanding, I believe, is a unifying force and unity is just what is unlikely to happen in a culture where people can live next to someone who fundamentally disagrees with them about life’s most important questions. Empathy says, “Okay, I don’t get understand you, but I don’t have to and I don’t have to win the argument. And don’t worry about the recycling bins while you’re out of town; I’ll take care of them.”
―
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“The dramatic interplay was more in Lester’s wheelhouse, particularly the scene where Billy Bob contemplates suicide. Wracked with guilt over disappointing his coach (and, in retrospect, possibly suffering from post-concussion syndrome), Billy Bob sits on the back of his pickup with his football trophies, a bottle of tequila, and a Mossberg 12-gauge pump shotgun when he’s confronted by Mox.
“Championship trophy. Steelers. We were 9. Remember this shit? Playing Pee Wee?”
“Yeah,” Mox says. “It was fun.”
“No, it wasn’t. I remember being yelled at.” Billy Bob throws the trophy. “Too fat, Billy Bob!” Bang! “Too slow and dumb!” He pulls the pump handle. Bang!
“It was great,” Robbins, the director, says. “I remember that night shooting that scene, and you don’t do that once, you do it over and over again from different angles. And he was just able to deliver that performance over and over again, and those were real tears and real emotion coming out of him.”
Lester drew on pain from his personal life, thinking of his late father and his sister Linda, who died at 35. He also pulled from his own struggles with suicide. Inconsolable after Linda passed, he had put a loaded gun to his head and pulled the trigger. Nothing happened. “God,” he says, is the only explanation.
“I actually have the bullet, still. It’s not a dud; it’s live. It just didn’t go off,” Lester says. “I was kind of dreading [that scene] because I knew where I’d go. But I’m an actor and I’m making a commitment to the character. To do that, you have to go 100 percent and just hope you pull yourself out of it.”
―
“Championship trophy. Steelers. We were 9. Remember this shit? Playing Pee Wee?”
“Yeah,” Mox says. “It was fun.”
“No, it wasn’t. I remember being yelled at.” Billy Bob throws the trophy. “Too fat, Billy Bob!” Bang! “Too slow and dumb!” He pulls the pump handle. Bang!
“It was great,” Robbins, the director, says. “I remember that night shooting that scene, and you don’t do that once, you do it over and over again from different angles. And he was just able to deliver that performance over and over again, and those were real tears and real emotion coming out of him.”
Lester drew on pain from his personal life, thinking of his late father and his sister Linda, who died at 35. He also pulled from his own struggles with suicide. Inconsolable after Linda passed, he had put a loaded gun to his head and pulled the trigger. Nothing happened. “God,” he says, is the only explanation.
“I actually have the bullet, still. It’s not a dud; it’s live. It just didn’t go off,” Lester says. “I was kind of dreading [that scene] because I knew where I’d go. But I’m an actor and I’m making a commitment to the character. To do that, you have to go 100 percent and just hope you pull yourself out of it.”
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