Bob Koo

“But, as the conflict-studies scholar Jayne Docherty argues, the F.B.I.’s approach was doomed from the outset. In “Learning Lessons from Waco”—one of the very best of the Mount Carmel retrospectives—Docherty points out that the techniques that work on bank robbers don’t work on committed believers. There was no pragmatism hidden below a layer of posturing, lies, and grandiosity. Docherty uses Max Weber’s typology to describe the Davidians. They were “value-rational”—that is to say, their rationality was organized around values, not goals. A value-rational person would accept his fourteen-year-old daughter’s polygamous marriage, if he was convinced that it was in fulfillment of Biblical prophecy. Because the F.B.I. could not take the faith of the Branch Davidians seriously, it had no meaningful way to communicate with them:”
― Anonymous

“All parenting involves choosing between the day (why have another argument at dinner?) and the years (the child must learn to eat vegetables). Nancy’s error seems to have been that she always focussed on the day, in a ceaseless quest to keep peace in the home she shared with the hypersensitive, controlling, increasingly hostile stranger who was her son. She thought that she could keep the years at bay by making each day as good as possible, but her willingness to indulge his isolation may well have exacerbated the problems it was intended to ameliorate.”
― Anonymous

“The dramatic interplay was more in Lester’s wheelhouse, particularly the scene where Billy Bob contemplates suicide. Wracked with guilt over disappointing his coach (and, in retrospect, possibly suffering from post-concussion syndrome), Billy Bob sits on the back of his pickup with his football trophies, a bottle of tequila, and a Mossberg 12-gauge pump shotgun when he’s confronted by Mox.

“Championship trophy. Steelers. We were 9. Remember this shit? Playing Pee Wee?”

“Yeah,” Mox says. “It was fun.”

“No, it wasn’t. I remember being yelled at.” Billy Bob throws the trophy. “Too fat, Billy Bob!” Bang! “Too slow and dumb!” He pulls the pump handle. Bang!

“It was great,” Robbins, the director, says. “I remember that night shooting that scene, and you don’t do that once, you do it over and over again from different angles. And he was just able to deliver that performance over and over again, and those were real tears and real emotion coming out of him.”

Lester drew on pain from his personal life, thinking of his late father and his sister Linda, who died at 35. He also pulled from his own struggles with suicide. Inconsolable after Linda passed, he had put a loaded gun to his head and pulled the trigger. Nothing happened. “God,” he says, is the only explanation.

“I actually have the bullet, still. It’s not a dud; it’s live. It just didn’t go off,” Lester says. “I was kind of dreading [that scene] because I knew where I’d go. But I’m an actor and I’m making a commitment to the character. To do that, you have to go 100 percent and just hope you pull yourself out of it.”
― Billy Bob's Blues

“The life-giving preacher is a man of God, whose heart is ever athirst for God, whose soul is ever following hard after God, whose eye is single to God, and in whom by the power of God’s Spirit the flesh and the world have been crucified and his ministry is like the generous flood of a life-giving river.”
― John Piper, Brothers, We Are Not Professionals: A Plea to Pastors for Radical Ministry