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A Gentle Creature...
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Fiorella De Maria
“As Liljana sat stitching a sampler or darning a sock, she dreamed her way into life as a grown woman with her own household to run, her own home to tidy, her own children to mind, and her own husband to cheer after a long day's work as they sat together by the fire. The life that future generations would dismiss as dull and degrading offered Liljana the liberating prospect of being mistress in her own home rather than living to serve others.”
Fiorella De Maria, We'll Never Tell Them: A Novel

Fulton J. Sheen
“The weakness of our age is in want of great men and women. It is hard to resist the current. Someone must completely detach himself from the ordinary run of politicians if he is to save politics; economists must break with the ordinary run of the mill of capital and labor commonplaces, if economics is to be saved. In other words, we need saints. These are not easy to make. First of all - because we do not always want the best; the best demands sacrifice of the ordinary and the discipline of the lower self. God, in His turn, finds it hard to give, because He gives only the best - moral perfection - and few there are who want it. As Augustine said at one point in his life, "I want to be good, dear Lord...but not now - a little later on.”
Fulton Sheen

Erica Bauermeister
“She looked at the produce stalls, a row of jewels in a case, the colors more subtle in the winter, a Pantone display consisting only of greens, without the raspberries and plums of summer, the pumpkins of autumn. But if anything, the lack of variation allowed her mind to slow and settle, to see the small differences between the almost-greens and creamy whites of a cabbage and a cauliflower, to wake up the senses that had grown lazy and satisfied with the abundance of the previous eight months. Winter was a chromatic palate-cleanser, and she had always greeted it with the pleasure of a tart lemon sorbet, served in a chilled silver bowl between courses.”
Erica Bauermeister, The Lost Art of Mixing

“I would suggest that the theater is the art form that most fully offers us an opportunity to reflect on the Incarnation because it is the presentation of one body to another.”
Mother Dolores Hart

Fulton J. Sheen
“Though the Son of Man expressed His federation with humanity, He was very careful to note that He was like man in all things save sin. He challenged His hearers to convict Him of sin. But the consequences of sin were all His as the Son of Man. Hence the prayer to let the chalice pass; His endurance of hunger and thirst; His agony and bloody sweat; perhaps even His seeming older than He actually was; His condescension to wash the feet of His disciples; His absence of resentment as the swine-owning capitalists ordered Him from their shores; His endurance of false charges of being a winebibber, a glutton; His gentleness, which expressed itself in hiding when His enemies would have stoned Him; above all, His endurance of worry, anxiety, fear, pain, mental anguish, fever, hunger, thirst, and agony during the hours of His Passion-all these things were to inspire men to imitate the Son of Man. Nothing that was human was foreign to Him.”
Fulton J. Sheen

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