Faiza Sattar

“His temperament was deeply nostalgic, not for for his own past, but for past ages; he was cynical of the present, fearful of the future and profoundly regretful of the world's decay.”
― Eleanor Catton, The Luminaries

“I was living and dying in all the fibers of what is chewed and digested and in all the fibers that absorb the sun, consuming and digesting. Under the thatched arbor of a restaurant on a river-bank, where Olivia had waited for me, our teeth began to move slowly, with equal rhythm, and our eyes stared into each other's with the intensity of serpents'—serpents concentrated in the ecstasy of swallowing each other in turn, as we were aware, in our turn, of being swallowed by the serpent that digests us all, assimilated ceaselessly in the process of ingestion and digestion, in the universal cannibalism that leaves its imprint on every amorous relationship and erases the lines between our bodies and sopa de frijoles, huachinango a la vera cru-zana, and enchiladas.”
― Italo Calvino, Under The Jaguar Sun

“The clocks understood, they kept moving, motion, following the truth that change is the nature of God's mind, and resistance to it is the source of great pain.”
― Craig Ferguson, Between the Bridge and the River

“So Lorenzo grew up in Chile without arms, an unfortunate situation for any child, but he also grew up in Pinochet’s Chile, which turned unfortunate situations into desperate ones, on top of which he soon discovered that he was homosexual, which made his already desperate situation inconceivable and indescribable. Given these circumstances, it is not surprising that Lorenzo became an artist. (What else could he do?)”
― Roberto Bolaño