Lori Davidson

“I watched the gulls and looked over at Lady Liberty. I thought about what Harry must be feeling because she wouldn't see her again, not like this, anyway. I wanted her to know it would be better, more beautiful on the other side, but it was sad because we can't help loving what's around us even if it is grasping and attachment to the things that don't really matter when you take a higher spiritual perspective.”
― Siri Hustvedt, The Blazing World

“Accepting suffering is the beginning of our liberation...Suffering can be the source of great strength. It gives us the power to resist. It is a gift from God that invites us to change. To start a revolution against the oppression. But for me, the oppressor was no longer the totalitarian communist regime. It's not even the progressive liberal state. Meeting these hidden heroes started a revolution against the greatest totalitarian ruler of all: myself." We ourselves are the ultimate rulers of our consciences. Hard totalitarianism depends on terrorizing us into surrendering our free consciences; soft totalitarianism uses fear as well, but mostly it bewitches us with therapeutic promises of entertainment, pleasure, and comfort...”
― Rod Dreher, Live Not by Lies: A Manual for Christian Dissidents

“Perhaps I wished for something rather than nothing--a smack of passion to make me believe I was really there for him, not missing. And then the blow rises up from imaginary depths. When there is nothing, the phantoms come up to fill the emptiness. It is not true that nothing comes of nothing. There is always something.”
― Siri Hustvedt, The Blazing World

“We are always concocting theories about how the world works and why people act in the ways they do. We invent motives for them, as if it's possible for us to know, but more often than not these explanations are like flimsy cardboard state sets we put up in front of reality because they are simpler and less distracting than what's actually there. I think I became a documentary filmmaker to try to get a truer view. It's not that film can't lie or distort or be used for dastardly purposes, it's that sometimes the camera extracts from the faces and bodies of its subjects what they do not say aloud. I was sixteen when I first saw Marcel Ophuls's The Sorrow and the Pity, and after that, I couldn't stop thinking about he expressiveness of people's hands when they are controlling their faces.”
― Siri Hustvedt, The Blazing World