“Accepting suffering is the beginning of our liberation...Suffering can be the source of great strength. It gives us the power to resist. It is a gift from God that invites us to change. To start a revolution against the oppression. But for me, the oppressor was no longer the totalitarian communist regime. It's not even the progressive liberal state. Meeting these hidden heroes started a revolution against the greatest totalitarian ruler of all: myself." We ourselves are the ultimate rulers of our consciences. Hard totalitarianism depends on terrorizing us into surrendering our free consciences; soft totalitarianism uses fear as well, but mostly it bewitches us with therapeutic promises of entertainment, pleasure, and comfort...”
― Live Not by Lies: A Manual for Christian Dissidents
― Live Not by Lies: A Manual for Christian Dissidents
“We may not be able to communicate that meaning to a world gone insane, but as Orwell knew, simply by staying sane when everyone else is mad, we may hope to convey the human heritage.”
― Live Not by Lies: A Manual for Christian Dissidents
― Live Not by Lies: A Manual for Christian Dissidents
“It's no accident that every dictatorship always tries to break down the family, because it's in the family that you get the strength to be able to fight," says Maria Komaromi...”
― Live Not by Lies: A Manual for Christian Dissidents
― Live Not by Lies: A Manual for Christian Dissidents
“And so a population that has been wholly propagandized by a totalitarian state, and demoralized by hedonistic consumerism, will hardly be in a position even to imagine opposition to its command-and-control strategies.”
― Live Not by Lies: A Manual for Christian Dissidents
― Live Not by Lies: A Manual for Christian Dissidents
“We are always concocting theories about how the world works and why people act in the ways they do. We invent motives for them, as if it's possible for us to know, but more often than not these explanations are like flimsy cardboard state sets we put up in front of reality because they are simpler and less distracting than what's actually there. I think I became a documentary filmmaker to try to get a truer view. It's not that film can't lie or distort or be used for dastardly purposes, it's that sometimes the camera extracts from the faces and bodies of its subjects what they do not say aloud. I was sixteen when I first saw Marcel Ophuls's The Sorrow and the Pity, and after that, I couldn't stop thinking about he expressiveness of people's hands when they are controlling their faces.”
― The Blazing World
― The Blazing World
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