“Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. Truth is, there aren't any grown-ups. Not one, in the whole wide world.”
― The Ocean at the End of the Lane
― The Ocean at the End of the Lane
“I'm in love with you," he said quietly.
"Augustus," I said.
"I am," he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you.”
― The Fault in Our Stars
"Augustus," I said.
"I am," he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you.”
― The Fault in Our Stars
“To be able to say: I loved this person, we had a hell of a nice time together, it’s over but in a way it will never be over and I do know that I for sure loved this person, to be able to say that and mean it, that’s rare, señor. That’s rare and valuable.”
— Ernest Hemingway, from The Complete Short Stories ”
― The Complete Short Stories of Ernest Hemingway
— Ernest Hemingway, from The Complete Short Stories ”
― The Complete Short Stories of Ernest Hemingway
“Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.”
― Something Wicked This Way Comes
― Something Wicked This Way Comes
“I am a Dalit in Khairlanji. A Pandit in the Kashmir valley. A Sikh in 1984. I am from the North East of India when I am in Munirka. I am a Muslim in Gujarat; a Christian in Kandhamal. A Bihari in Maharashtra. A Delhi-wallah in Chennai. A woman in North India. A Hindi-speaker in Assam. A Tamilian in MP. A villager in a big city. A confused man in an indifferent world. We're all minorities.
We all suffer; we all face discrimination. It is only us resisting this parochialism when in the position of majoritarian power that makes us human.
I hope that one day, I can just be an Indian in India - only then can I be me.”
―
We all suffer; we all face discrimination. It is only us resisting this parochialism when in the position of majoritarian power that makes us human.
I hope that one day, I can just be an Indian in India - only then can I be me.”
―
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