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Cassio Queiros
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The Passing Bells
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  (page 58 of 527)
— Mar 26, 2020 05:26PM

 
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Sinclair Lewis
“bouncing old retired general--he's dotty over motors. Roars around on a shocking old motor bike--mustache and dignity flying in the morning breeze--atrocious bills for all the geese and curates he runs over.”
― Sinclair Lewis, Dodsworth

Sinclair Lewis
“Always she had a genius for keeping herself superior to him by just the right comment on his clumsiness, the most delicate and needle- pointed comparison of him with defter men.”
― Sinclair Lewis, Dodsworth

Marcel Proust
“for even before the return of my parents, from this very evening, my seclusion was to begin. I caught sight of a huge bundle of carpets, still rolled up, and leaning against one end of the sideboard, and burying my head in it, swallowing its dust with my own tears, as the Jews used to cover their heads with ashes in times of mourning, I began to sob. I shuddered not only because the room was cold, but because a distinct lowering of temperature (against the danger and—I should add, perhaps—the by no means disagreeable sensation of which we make no attempt to react) is brought about by a certain kind of tears which fall from our eyes, drop by drop, like a fine, penetrating, icy rain, and seem as though never would they cease to flow.”
― Marcel Proust, In Search Of Lost Time (All 7 Volumes)

J.I. Packer
“Live each day as if thy last” is a wise word from a hymn written in 1674 by Thomas Ken. The older we get, the more needful its wisdom becomes, and if we have not already taken it to heart, we should do so now.”
― J.I. Packer, Finishing Our Course with Joy: Guidance from God for Engaging with Our Aging

“The Life of Riley in its best-known version evolved from a prospective Groucho Marx vehicle called The Flotsam Family. The Marx series failed at audition when the would-be sponsor wouldn’t accept Groucho in what was, for him, a straight role—as head of a family. Then producer Irving Brecher saw a film, The McGuerins of Brooklyn, with a rugged-looking and typically American blue-collar man, William Bendix, in one of the leading roles. There, on the screen, was his character. A new audition was recorded, with Bendix as star and the character renamed Chester A. Riley. It became a solid midlevel hit.”
― John Dunning, On the Air: The Encyclopedia of Old-Time Radio

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