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Book cover for Kafka on the Shore
But what disgusts me even more are people who have no imagination. The kind T. S. Eliot calls ‘hollow men’. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they’re doing. Callous people who ...more
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Franz Kafka
“It would have been so pointless to kill himself that, even if he had wanted to, the pointlessness would have made him unable.”
Franz Kafka, The Trial

Albert Camus
“Don't lies eventually lead to the truth? And don't all my stories, true or false, tend toward the same conclusion? Don't they all have the same meaning? So what does it matter whether they are true or false if, in both cases, they are significant of what I have been and what I am? Sometimes it is easier to see clearly into the liar than into the man who tells the truth. Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object.”
Albert Camus, The Fall

Yuval Noah Harari
“Culture tends to argue that it forbids only that which is unnatural. But from a biological perspective, nothing is unnatural. Whatever is possible is by definition also natural. A truly unnatural behaviour, one that goes against the laws of nature, simply cannot exist, so it would need no prohibition.”
Yuval Noah Harari, Sapiens: A Brief History of Humankind

Yukio Mishima
“Real danger is nothing more than just living. Of course, living is merely the chaos of existence, but more than that it's a crazy mixed-up business of dismantling existence instant by instant to the point where the original chaos is restored, and taking strength from the uncertainty and the fear that chaos brings to re-create existence instant by instant. You won't find another job as dangerous as that. There isn't any fear in existence itself, or any uncertainty, but living creates it.”
Yukio Mishima, The Sailor Who Fell from Grace with the Sea

Amor Towles
“After all, what can a first impression tell us about someone we’ve just met for a minute in the lobby of a hotel? For that matter, what can a first impression tell us about anyone? Why, no more than a chord can tell us about Beethoven, or a brushstroke about Botticelli. By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration—and our unwavering determination to withhold our opinion until we have engaged with them in every possible setting at every possible hour.”
Amor Towles, A Gentleman in Moscow

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