482 books
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Anda
https://www.goodreads.com/andootz
“After all, you are only as happy as your unhappiest child.”
― The Storyteller: Tales of Life and Music
― The Storyteller: Tales of Life and Music
“The greatest act of self-love is to no longer accept a life you are unhappy with.”
― The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery
― The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery
“I don’t know about you, but for me there is forever a
struggle between the rational side of myself and the side that is alert to glimpses or impressions of something otherworldly. And, of course, I know
there is no coherent argument to be had here. My rational self has all the weaponry, all the big guns – reason, science, common sense, normality – and all that far outweighs the side of me that only has suspicions and hints and signs of something else, something mysterious and quietly spoken. But, even still, it feels, under the circumstances, that to dismiss the existence of these things that live beyond our reasonable selves outright is, at best, ungenerous. Don’t you think? I mean, I don’t blindly succumb to these feelings, but still I remain watchful for that promise. This is how I have chosen to live my life – in uncertainty, and by doing so to be open to the
divine possibility of things, whether it exists or not. I believe this gives my life, and especially my work, meaning and potential and soul, too, beyond what the rational world has to offer.”
― Faith, Hope and Carnage
struggle between the rational side of myself and the side that is alert to glimpses or impressions of something otherworldly. And, of course, I know
there is no coherent argument to be had here. My rational self has all the weaponry, all the big guns – reason, science, common sense, normality – and all that far outweighs the side of me that only has suspicions and hints and signs of something else, something mysterious and quietly spoken. But, even still, it feels, under the circumstances, that to dismiss the existence of these things that live beyond our reasonable selves outright is, at best, ungenerous. Don’t you think? I mean, I don’t blindly succumb to these feelings, but still I remain watchful for that promise. This is how I have chosen to live my life – in uncertainty, and by doing so to be open to the
divine possibility of things, whether it exists or not. I believe this gives my life, and especially my work, meaning and potential and soul, too, beyond what the rational world has to offer.”
― Faith, Hope and Carnage
“In April 2017, a confidential document is leaked that reveals Facebook is offering advertisers the opportunity to target thirteen-to-seventeen-year-olds across its platforms, including Instagram, during moments of psychological vulnerability when they feel “worthless,” “insecure,” “stressed,” “defeated,” “anxious,” “stupid,” “useless,” and “like a failure.” Or to target them when they’re worried about their bodies and thinking of losing weight. Basically, when a teen is in a fragile emotional state. Facebook’s advertising team had made this presentation for an Australian client that explains that Instagram and Facebook monitor teenagers’ posts, photos, interactions, conversations with friends, visual communications, and internet activity on and off Facebook’s platforms and use this data to target young people when they’re vulnerable. In addition to the moments of vulnerability listed, Facebook finds moments when teenagers are concerned with “body confidence” and “working out & losing weight.”
― Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism
― Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism
“To be awed. To experience a communal sense of awe. I can feel it on stage and see it in people’s eyes. And I experience it too. It’s certainly something I have felt many, many times at other artists’ concerts. It’s about reaching an essential and shared state through music – sometimes for a moment, sometimes for an entire concert. We’ve all experienced that. Not just a physical release, although there is that, too, but to be held by an artist at the crucial moment of expression – to be awed, second by second, at the way a song or piece of music unfolds, to be held on the edge of tears by the drama of it all, and to be, as an audience member, an essential participant in the drama itself. That is a wonderful thing. […] So thank God, quite literally, for music, because it’s one of the last remaining places, beyond raw nature, that people can feel awed by something happening in real time, that feeling of reverence and wonder. […] These are sacred moments.”
― Faith, Hope and Carnage
― Faith, Hope and Carnage
Anda’s 2025 Year in Books
Take a look at Anda’s Year in Books, including some fun facts about their reading.
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