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The Rain Heron
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Thank You, Steel ...
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Book cover for Outer Dark
He opened his hand and looked at it. Dried blood sifted in a fine dust from the lines of his palm. After a while he went in and poured water into the tin basin and began to wash his hands and his arms, slowly and with care.
Benjamin
His destiny is writ in blood
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Italo Calvino
“The businessmen to whom, before meetings, I show the collection glance with superficial curiosity at these bizarre apparatuses. They don’t know that I have built my financial empire on the very principle of kaleidoscopes and catoptric instruments, multiplying, as if in a play of mirrors, companies without capital, enlarging credit, making disastrous deficits vanish in the dead corners of illusory perspectives. My secret, the secret of my uninterrupted financial victories in a period that has witnessed so many crises and market crashes and bankruptcies, has always been this: that I never thought directly of money, business, profits, but only of the angles of refraction established among shining surfaces variously inclined.”
― Italo Calvino, If on a Winter's Night a Traveler

Italo Calvino
“We can prevent reading: but in the decree that forbids reading there will be still read something of the truth that we would wish never to be read.”
― Italo Calvino, If on a Winter's Night a Traveler

Italo Calvino
“Let’s be frank: every regime, even the most authoritarian, survives in a situation of unstable equilibrium, whereby it needs to justify constantly the existence of its repressive apparatus, therefore of something to repress.”
― Italo Calvino, If on a Winter's Night a Traveler

Italo Calvino
“Accountancy’s night spawns witches. Brush and broom in hand they launch themselves across those smooth surfaces, tracing out their spells.”
― Italo Calvino, Numbers in the Dark

Italo Calvino
“I tried to escape, insinuating myself with crawling movements toward the center of the spirals, where the lines slithered like serpents following the writhing of Irina’s limbs, supple and restless, in a slow dance where it is not the rhythm that counts but the knotting and loosening of serpentine lines. There are two serpents whose heads Irina grasps with her hands, and they react to her grasp, intensifying their own aptitude for rectilinear penetration, while she was insisting, on the contrary, that the maximum of controlled power should correspond to a reptile pliability bending to overtake her in impossible contortions.”
― Italo Calvino, If on a Winter's Night a Traveler

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