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Book cover for The Covenant of Water
But such memories are woven from gossamer threads; time eats holes in the fabric, and these she must darn with myth and fable.
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Neil Gaiman
“Adults follow paths. Children explore. Adults are content to walk the same way, hundreds of times, or thousands; perhaps it never occurs to adults to step off the paths, to creep beneath rhododendrons, to find the spaces between fences. I was a child, which meant that I knew a dozen different ways of getting out of our property and into the lane, ways that would not involve walking down our drive.”
Neil Gaiman, The Ocean at the End of the Lane

Kate DiCamillo
“Nothing
would be
easier without
you,
because you
are
everything,
all of it-
sprinkles, quarks, giant
donuts, eggs sunny-side up-
you
are the ever-expanding
universe
to me.”
Kate DiCamillo, Flora & Ulysses: The Illuminated Adventures

Neil Gaiman
“Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. Truth is, there aren't any grown-ups. Not one, in the whole wide world.”
Neil Gaiman, The Ocean at the End of the Lane

Steve Jobs
“Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.”
Steve Jobs

Gary Provost
“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.”
Gary Provost

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