Mikhail B.

“The terrace house, one hundred and forty years old, was shaped like a cereal box; two stories high, but scarcely wide enough for a staircase. It had originally been part of a row of eight; four on one side had been gutted and remodeled into offices for a firm of architects; the other three had been demolished at the turn of the century to make way for a road that had never been built. The lone survivor was now untouchable under some bizarre piece of heritage legislation, and Maria had bought it for a quarter of the price of the cheapest modern flats. She liked the odd proportions -- and with more space, she was certain, she would have felt less in control. She had as clear a mental image of the layout and contents of the house as she had of her own body, and she couldn't recall ever misplacing even the smallest object. She couldn't have shared the place with anyone, but having it to herself seemed to strike the right balance between her territorial and organizational needs. Besides, she believed that houses were meant to be thought of as vehicles -- physically fixed, but logically mobile -- and compared to a one-person space capsule or submarine, the size was more than generous.”
― Greg Egan, Permutation City

“For many, there’s a comfort in the artificial busyness of rapid e-mail messaging and social media posturing, while the deep life demands that you leave much of that behind. There’s also an uneasiness that surrounds any effort to produce the best things you’re capable of producing, as this forces you to confront the possibility that your best is not (yet) that good. It’s safer to comment on our culture than to step into the Rooseveltian ring and attempt to wrestle it into something better.”
― Cal Newport, Deep Work: Rules for Focused Success in a Distracted World