“I’m not really sure why. But . . . do you stop loving someone just because they betray you? I don’t think so. That’s what makes the betrayal hurt so much—pain, frustration, anger . . . and I still loved her. I still do.” “How?” Vin asked. “How can you? And, how can you possibly trust people? Didn’t you learn from what she did to you?” Kelsier shrugged. “I think . . . I think given the choice between loving Mare—betrayal included—and never knowing her, I’d choose love. I risked, and I lost, but the risk was still worth it. It’s the same with my friends. Suspicion is healthy in our profession—but only to an extent. I’d rather trust my men than worry about what will happen if they turn on me.” “That sounds foolish,” Vin said. “Is happiness foolish?” Kelsier asked, turning toward her. “Where have you been happier, Vin? On my crew, or back with Camon?” Vin paused.”
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“Just don’t pretend you know more about your characters than they do, because you don’t. Stay open to them. It’s teatime and all the dolls are at the table. Listen. It’s that simple.”
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“Close your eyes and get quiet for a minute, until the chatter starts up. Then isolate one of the voices and imagine the person speaking as a mouse. Pick it up by the tail and drop it into a mason jar. Then isolate another voice, pick it up by the tail, drop it in the jar. And so on. Drop in any high-maintenance parental units, drop in any contractors, lawyers, colleagues, children, anyone who is whining in your head. Then put the lid on, and watch all these mouse people clawing at the glass, jabbering away, trying to make you feel like shit because you won’t do what they want—won’t give them more money, won’t be more successful, won’t see them more often. Then imagine that there is a volume-control button on the bottle. Turn it all the way up for a minute, and listen to the stream of angry, neglected, guilt-mongering voices. Then turn it all the way down and watch the frantic mice lunge at the glass, trying to get to you. Leave it down, and get back to your shitty first draft.”
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