Javier Artiles

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The Divine Comedy...
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Paradise in Plain...
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A Hunger Artist a...
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“The Manyōshū is Japanese in the vital sense that the language in which it was written was Japanese, a language quite different from Chinese in its structure. But since the Japanese had not yet evolved a script of their own, the verses were written in Chinese characters. Some of the characters were used, as in China, to convey meaning; but others were used in a different way—to give an idea of the sounds that made up the Japanese words. The result is that while the Manyōshū looks Chinese, it is really Japanese written down in the only script its compilers knew.”
Richard H.P. Mason, History of Japan

Wolfgang Amadeus Mozart
“you mustn’t place your signature too low down on the page and thereby leave a blank space above it, otherwise some rogue – if such a letter were to fall into the wrong hands – might cut out the name and add some small demand for several louis d’or in the blank space above it.”
Wolfgang Amadeus Mozart, Mozart: A Life in Letters

“Kaizen" is a Japanese term that captures the concept of continuously making many small improvements. It was considered to be one of the main reasons for the dramatic gains in productivity and quality in Japanese manufacturing and was widely copied throughout the world. Kaizen applies to individuals, too. Every day, work to refine the skills you have and to add new tools to your repertoire.”
Anonymous

Robert M. Sapolsky
“Once, during a concert of cathedral organ music, as I sat getting gooseflesh amid that tsunami of sound, I was struck with a thought: for a medieval peasant, this must have been the loudest human-made sound they ever experienced, awe-inspiring in now-unimaginable ways. No wonder they signed up for the religion being proffered. And now we are constantly pummeled with sounds that dwarf quaint organs. Once, hunter-gatherers might chance upon honey from a beehive and thus briefly satisfy a hardwired food craving. And now we have hundreds of carefully designed commercial foods that supply a burst of sensation unmatched by some lowly natural food. Once, we had lives that, amid considerable privation, also offered numerous subtle, hard-won pleasures. And now we have drugs that cause spasms of pleasure and dopamine release a thousandfold higher than anything stimulated in our old drug-free world. An emptiness comes from this combination of over-the-top nonnatural sources of reward and the inevitability of habituation; this is because unnaturally strong explosions of synthetic experience and sensation and pleasure evoke unnaturally strong degrees of habituation.90 This has two consequences. First, soon we barely notice the fleeting whispers of pleasure caused by leaves in autumn, or by the lingering glance of the right person, or by the promise of reward following a difficult, worthy task. And the other consequence is that we eventually habituate to even those artificial deluges of intensity. If we were designed by engineers, as we consumed more, we’d desire less. But our frequent human tragedy is that the more we consume, the hungrier we get. More and faster and stronger. What was an unexpected pleasure yesterday is what we feel entitled to today, and what won’t be enough tomorrow.”
Robert M. Sapolsky, Behave: The Biology of Humans at Our Best and Worst

year in books
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Eugene
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Yuriy D...
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Oscar
345 books | 9 friends

Jane Bayar
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Rosa Ga...
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Natalie
325 books | 133 friends

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