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Anne Marie
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“Assumptions and expectations will kill any relationship, so let’s you and me not go there, okay?”
― A Tale for the Time Being
― A Tale for the Time Being
“You run the romantic gauntlet for decades without knowing who exactly it is you're giving and taking such a battering in order to reach. You run the gauntlet without knowing whether the person whose favour you seek will even be there once you somehow put that path strewn with sensory confetti and emotional gore behind you. And then, by some stroke of fortune, the gauntlet concludes, the person does exist after all, and you become that perpetually astonished lover from so many of the songs you used to find endlessly disingenuous.
[Otto Shin]”
― Peaces
[Otto Shin]”
― Peaces
“The usual. Soft focus, syrupy memories of April and her potential. Sad-faced pictures of her friends and family pondering all they've lost. Anecdotes about punting and May balls and bright futures. And then some spicy detail, just to add a prurient kick to the piece—a hint of scandal, maybe. A student rivalry. A sniff of drugs, or promiscuity, or some other act of disreputable behavior, to give the reader a frisson of disapproval and the safe knowledge that this would never have happened to them.”
― The It Girl
― The It Girl
“Everyone is taking the best shot they’ve got, and some shots are just luckier than yours. Anytime you feel your unhappiness turning into bitterness, you have to check yourself. You can live with unhappiness, but bitterness will kill”
― We Solve Murders
― We Solve Murders
“Den we git hurtee again. Somebody call hisself a deputy sheriff kill de baby boy now. (Over)1 “He say he de law, but he doan come ’rest him. If my boy done something wrong, it his place come ’rest him lak a man. If he mad wid my Cudjo ’bout something den he oughter come fight him face to face lak a man. He doan come ’rest him lak no sheriff and he doan come fight him lak no man. He have words wid my boy, but he skeered face him. Derefo’, you unnerstand me, he hidee hisself in de butcher wagon and when it gittee to my boy’s store, Cudjo walk straight to talk business. Dis man, he hidin’ hisself in de back of de wagon, an’ shootee my boy. Oh, Lor’! He shootee my boy in de throat. He got no right shootee my boy. He make out he skeered my boy goin’ shoot him and shootee my boy down in de store. Oh, Lor’! De people run come tellee me my boy hurtee. We tookee him home and lay him in de bed. De big hole in de neck. He try so hard to ketchee breath. Oh, Lor’! It hurtee me see my baby boy lak dat. It hurtee his mama so her breast swell up so. It make me cry ’cause it hurt Seely so much. She keep standin’ at de foot of de bed, you unnerstand me, an’ lookee all de time in his face. She keep telling him all de time, ‘Cudjo, Cudjo, Cudjo, baby, put whip to yo’ horse!’ “He hurtee so hard, but he answer her de best he kin, you unnerstand me. He tellee her, ‘Mama, thass whut I been doin’!’ “Two days and two nights my boy lay in de bed wid de noise in de throat. His mama never leave him. She lookee at his face and tellee him, ‘Put whip to yo’ horse, baby.’ “He pray all he could. His mama pray. I pray so hard, but he die. I so sad I wish I could die in place of my Cudjo. Maybe, I doan pray right, you unnerstand me, ’cause he die while I was prayin’ dat de Lor’ spare my boy life. “De man dat killee my boy, he de paster of Hay Chapel in Plateau today. I try forgive him.”
― Barracoon: The Story of the Last "Black Cargo"
― Barracoon: The Story of the Last "Black Cargo"
Flop House Fans
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Anne Marie’s 2025 Year in Books
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