Rhian

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Angela  Chen
“It seems that the message is ‘we have liberated our sexuality, therefore we must now celebrate it and have as much sex as we want,’” says Jo, an ace policy worker in Australia. “Except ‘as much sex as we want’ is always lots of sex and not no sex, because then we are oppressed, or possibly repressed, and we’re either not being our true authentic selves, or we haven’t discovered this crucial side of ourselves that is our sexuality in relation to other people, or we haven’t grown up properly or awakened yet.”
Angela Chen, Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex

Charlotte Perkins Gilman
“It is so hard to talk with John about my case, because he is so wise, and because he loves me so.”
Charlotte Perkins Gilman, The Yellow Wall-Paper

Angela  Chen
“The truth of the gender inequality in sexual freedom, and the importance of teaching women to honor their sexual desires, has distorted into the belief that female sexual liberation only looks like one thing—and that’s the opposite of what women’s lives looked like before. Overcorrection doesn’t solve the problem. It only redistributes the shame and the stigma.”
Angela Chen, Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex

Angela  Chen
“Compulsory sexuality is a set of assumptions and behaviors that support the idea that every normal person is sexual, that not wanting (socially approved) sex is unnatural and wrong, and that people who don’t care about sexuality are missing out on an utterly necessary experience.”
Angela Chen, Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex

Natasha Pulley
“The clockwork octopus came out. It extended a tentacle with a clicking of metal joints. Around it was looped the chain of his watch. He hesitated, but took it. The chain skittered over the metal tentacle with a high, thin pitch like incoming sea. It was quite a coincidence for a mechanical sea creature and he was speculating whether it could possibly have been done on purpose when Katsu stole his other sock and flopped on to the floor with an unbiological bang, whereupon it octopused out of the open door and slid down the banister. He exclaimed at it, was ignored, and then went after it just in time to see it disappear into the parlour. It was climbing up the leg of the piano stool when he caught up. The watchmaker confiscated the sock and threw it over his shoulder to Thaniel, who caught it with the tips of his fingers. The octopus settled in his lap. ‘Thank you for finding him,’ he said. Against the piano keys, his hands were too warmly coloured for the watery morning. ‘I was looking for him earlier. He plays hide and seek.”
Natasha Pulley, The Watchmaker of Filigree Street

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