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The Discovery of ...
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George Orwell
“Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough, he cannot run fast enough to catch rabbits. Yet he is lord of all the animals. He sets them to work, he gives back to them the bare minimum that will prevent them from starving, and the rest he keeps for himself. Our labour tills the soil, our dung fertilises it, and yet there is not one of us that owns more than his bare skin.”
George Orwell, Animal Farm

Cheryl Strayed
“It felt now as if I’d never known them and I couldn’t know them again. It seemed to me that whatever had existed back in the place where I’d grown up was so far away now, impossible to retrieve.”
Cheryl Strayed, Wild: From Lost to Found on the Pacific Crest Trail

David Nicholls
“But love is boring. Love is familiar and commonplace for anyone not taking part, and first love is just a gangling, glandular incarnation of the same. Shakespeare must have known this; take a copy of the world’s most famous love story and pinch between finger and thumb the pages where the lovers are truly happy; not the build-up that precedes it, not the strife that follows, but the time when love is mutual and untroubled. It’s a few pages, a pamphlet almost, the brief interlude between anticipation and despair.”
David Nicholls, Sweet Sorrow

David Nicholls
“In two more years they’d leave this town and migrate to cities famous for their nightlife and music and culture, their lively political scene and cafés. In candlelit bedrooms, they’d have meaningful talks, making friends who’d introduce them to more friends, then more and more, loosening the old ties to make way for the new in a branching tree of friendship, of connections and opportunities.”
David Nicholls, Sweet Sorrow

Maggie O'Farrell
“They have just sat their first set of exams and are waiting for the results, waiting for the summer to be over, for the new school year to begin, waiting for their futures to take shape, waiting for their shifts to end, waiting for the tourists to leave, waiting, waiting. Some are waiting for bad haircuts to grow out, for their parents to allow them to drive or give them more money or clock their unhappiness, for the boy or girl they like to notice them, for the cassette tape they ordered at the music shop to arrive, for their shoes to wear out so they can be bought new ones, for the bus to arrive, for the phone to ring. They are, all of them, waiting because that is what teenagers who grow up in seaside towns do. They wait.

For something to end, for something to begin”
Maggie O'Farrell, I Am, I Am, I Am: Seventeen Brushes with Death

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