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Book cover for Big Magic: How to Live a Creative Life, and Let Go of Your Fear
Pure creativity is magnificent expressly because it is the opposite of everything else in life that’s essential or inescapable (food, shelter, medicine, rule of law, social order, community and familial responsibility, sickness, loss, ...more
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Amy Stolls
“It's a powerful thing to go back after a few years to a place where you grew up, but you get to realizing it's not going back exactly as time's moved forward and you feel kind of stuck.”
Amy Stolls, The Ninth Wife

Joan Didion
“I think I am beginning to understand why grief feels like suspense,” C. S. Lewis wrote after the death of his wife. "It comes from the frustration of so many impulses that had become habitual. Thought after thought, feeling after feeling, action after action, had H. for their object. Now their target is gone. I keep on through habit fitting an arrow to the string, then I remember and have to lay the bow down. So many roads lead thought to H. I set out on one of them. But now there's an impassable fron-tierpost across it. So many roads once; now so many cul de sacs.”
Joan Didion, The Year of Magical Thinking

Emily Habeck
“a life too noticeable might be stolen, and conversely, a wispy existence might blow away or be stepped on. Medium was safe.”
Emily Habeck, Shark Heart

R.F. Kuang
“Writing is the closest thing we have to real magic. Writing is creating something out of nothing, is opening doors to other lands.

Writing gives you power to shape your own world when the real one hurts too much. To stop writing would kill me. I'd never be able to walk through a bookstore without fingering the spines with longing, wondering at the lengthy editorial process that got these titles on shelves and reminiscing about my own.

And I'd spend the rest of life curdling with jealousy every time someone like Emmy Cho gets a book deal, every time I learn that some young up-and-comer is living the life I should be living.

Writing has formed the core of my identity since I was a child. After Dad died, after Mom withdrew into herself, and after Rory decided to forge a life without me, writing gave me a reason to stay alive. And as miserable as it makes me, I'll cling to that magic for as long as I live.”
R.F. Kuang, Yellowface

Alice Loxton
“Imagine adulthood as a garden. We enter through a gate, leaving childhood behind a place we can glance at over the fence, but never actually return to. Being eighteen is to lean on the gatepost and look at the garden ahead, map in hand. There are hundreds of paths to choose from. Some lead to pristine lawns, rose gardens, bluebell woods, lily ponds or vegetable allotments. There are abandoned water butts with lurking toads, streams with banks of wild garlic, dense woodland with ancient, gnarly trees, and boiling greenhouses with tropical, poisonous plants. There are treehouses and garden sheds, green pools and rusty trampolines, upturned gnomes and dried-up fountains, crumbling walls and rickety fences. There are beauties to stop and admire: arches of rambling roses, and dragonflies dancing on water. But there are dangers, too: wasps that sting and rabbit holes that, if you're not looking, can twist an ankle.

Some of us take the main path, content to settle down in a deckchair, basking in the dappled sunlight. Some of us divert from the path to swim in streams, tumble down hills or clamber up trees, risking life and limb. Some are given the wrong directions, ending up in the sculpture park when they hoped to be in the wildflower meadow.

But that's not a problem. All of us, at any point, have the option to return to the starting gatepost, to take a new path and begin a new journey. It is at this moment we champion this daring eighteen-year-old outlook. We revisit that place of uncertainty, of risk, of potential, of excitement. And from here we venture forth down a new path.”
Alice Loxton, Eighteen: A History of Britain in 18 Young Lives

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