";,-,…+…

“screen T.V. A comfortable and well-stocked family room, including a wet bar with a locked liquor cabinet and a closet with door standing open, shelves packed with tennis rackets and snowshoes and ice skates. All the accoutrements of a well-off, athletic family in a room now tainted with the overwhelming presence of death. The father was slumped in a club chair in front of the television with a rifle at his feet and a bloody cavern where his head had been. Blood and brains sprayed the carpet beneath him. At first glimpse just about anyone would see it as a suicide. “Basement is concrete block,” Epps said. “Family probably never heard the shot.” “The gun his?” Roarke asked, and heard the edge in his voice. “From the cabinet upstairs. Guy is a sportsman,” Aceves answered.”
― Alexandra Sokoloff, Blood Moon

“He didn’t even attempt to guess at what that delusion might be. He knew at the heart of it there was nothing poetic or metaphorical about it. The core motivation for all serial killers was the same: they got sexual release from rape, torture, pain, and murder. There was no other “why.” Trying to wrap it up in some elaborate psychological package was less than useless. Aloud he continued, “Also it’s notable”
― Alexandra Sokoloff, Blood Moon

“and Ashbury, looking up at a stopped clock atop one of the buildings, forever fixed at 4:20. She turns toward the next street . . . and sees a For Rent sign. The street address is 420. She shoulders her bag and walks toward it. The manager of 420 is a going-on-elderly Indian man with hazy eyes who has not the slightest interest in her; he is off on some distant plane of his own and will never be able to describe her even if he ever feels a desire to. He shows her”
― Alexandra Sokoloff, Blood Moon

“pain and his head explode with bright lights. “Let me tell you something, lad. You’re going to keep your mouth shut. If you breathe a word of this to your ma, you won’t live out the day. I need to think, do you understand? Now go to bed before I give you another hand.”
― James D. Shipman, Going Home