Erisa

“One can very well eat lettuce before its heart has been formed; still, the delicate crispness of the heart and its lovely frizz are something altogether different from the leaves. It is the same in the world of the spirit. Being too busy has this result: that an individual very, very rarely is permitted to form a heart; on the other hand, the thinker, the poet, or the religious personality who actually has formed his heart, will never be popular, not because he is difficult, but because it demands quiet and prolonged working with oneself and intimate knowledge of oneself as well as a certain isolation.”
― Soren Kierkegaard

“In general, we store away our experiences and make use of timeworn phrases—nice, ready-made, reassuring stylizations that give us a sense of colloquial normality. But in this way, either knowingly or unknowingly, we reject everything that, to be said fully, would require effort and a torturous search for words. Honest writing forces itself to find words for those parts of our experience that are hidden and silent. On one hand, a good story, or, rather, the kind of story I like best, narrates an experience—for example, friendship—following specific conventions that render it recognizable and riveting; on the other hand, it sporadically reveals the magma running beneath the pillars of convention. The fate of a story that tends toward truth by pushing stylizations to their limit depends on the extent to which the reader really wants to face up to herself.”
― Elena Ferrante, La frantumaglia

“It was the word for a disquiet not otherwise definable, it referred to a miscellaneous crowd of things in her head, debris in a muddy water of the brain. The frantumaglia was mysterious, it provoked mysterious actions, it was the source of all suffering not traceable to a single obvious cause.”
― Elena Ferrante, La frantumaglia

“Evocai versi e romanzi come tranquillanti. Forse, pensai, aver studiato mi serve solo a questo: a calmarmi.”
― Elena Ferrante, Storia del nuovo cognome