James Hughes

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Bacon in Moscow
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What Is Art? Conv...
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On the Black Hill
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Ciaran Carson
“I am reminded, now, of Leonardo's advice to painters: You should fix your eyes, he says, on certain walls stained with damp. You will see in these the likenesses of divine landscapes, adorned with mountains, ruins, rocks, extensive plains; and you will see there battles and strange figures engaged in violent actions. For in such walls the same thing happens as in the sound of church bells, in whose reverberations you may find every word imaginable.”
Ciaran Carson

Clarice Lispector
“Oh, don't pull your hand away from me, I've promised myself that maybe by the end of this impossible narrative I shall understand, oh maybe it will be on Hell's road that I shall be able to find what we need—but don't pull your hand away, even though I now know that the finding has to come on the road of what we are, if I can succeed in not sinking completely into what we are.”
Clarice Lispector, The Passion According to G.H.

Clarice Lispector
“I am the cockroach, I am my leg, I am my hair, I am the section of brightest light on the wall plaster—I am every Hellish piece of myself—life is so pervasive in me that if they divide me in pieces like a lizard, the pieces will keep on shaking and writhing. I am the silence etched on a wall, and the most ancient butterfly flutters in and looks at me: just the same as always. From birth to death is what I call human in myself, and I shall never actually die. But this is not eternity, it is condemnation.

How opulent this silence is. It is the accumulation of centuries. It is the silence of the cockroach looking. The world looks at itself in me. Everything looks at everything, everything experiences the other; in this desert things know things.”
Clarice Lispector, The Passion According to G.H.

Kenzaburō Ōe
“The dead can survive as part of the lives of those that still live.”
Kenzaburō Ōe, Hiroshima Notes

Stacie Cassarino
“Remember Rio de Janeiro, the size of God’s hand, sardines fleshed-open at the market, the way I entered you and moved inside? Looking down, is this the kind of density you can live with? What is the slightness of our bodies to stay, to be good at loving a second time? My mouth pretends it is an oar when it lives inside your mouth, but you are far away.”
Stacie Cassarino, Zero at the Bone

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