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Book cover for Sunrise on the Reaping (The Hunger Games, #0.5)
No way to control the outcome of the reaping or what follows it. So don’t feed the nightmares. Don’t let yourself panic. Don’t give the Capitol that. They’ve taken enough already.
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Kai Bird
“Oppenheimer’s story also reminds us that our identity as a people remains intimately connected with the culture of things nuclear. “We have had the bomb on our minds since 1945,” E. L. Doctorow has observed. “It was first our weaponry and then our diplomacy, and now it’s our economy. How can we suppose that something so monstrously powerful would not, after forty years, compose our identity? The great golem we have made against our enemies is our culture, our bomb culture—its logic, its faith, its vision.” Oppenheimer tried valiantly to divert us from that bomb culture by containing the nuclear threat he had helped to set loose. His most impressive effort was a plan for the international control of atomic energy, which became known as the Acheson-Lilienthal Report (but was in fact conceived and largely written by Oppenheimer). It remains a singular model for rationality in the nuclear age.”
Kai Bird, American Prometheus

Kai Bird
“Rabi had fundamental doubts about the whole notion of building a bomb. “I was strongly opposed to bombing ever since 1931, when I saw those pictures of the Japanese bombing that suburb of Shanghai. You drop a bomb and it falls on the just and the unjust. There is no escape from it. The prudent man can’t escape, [nor] the honest man. . . . During the war with Germany, we [in the Rad Lab] certainly helped to develop devices for bombing . . . but this was a real enemy and a serious matter. But atomic bombing just carried the principle one step further and I didn’t like it then and I don’t now. I think it’s terrible.”
Kai Bird, American Prometheus

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