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One Flew Over the...
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Warsan Shire
“The sun is perfect and you woke this morning. You have enough language in your mouth to be understood. You have a name, and someone wants to call it. Five fingers on your hand and someone wants to hold it. If we just start there, every beautiful thing that has and will ever exist is possible. If we start there, everything, for a moment, is right in the world.”
Warsan Shire

Warsan Shire
“Grandfather’s Hands
 
 
 
 
 
 
Your grandfather’s hands were brown.
Your grandmother kissed each knuckle,
 
circled an island into his palm
and told him which parts they would share,
which part they would leave alone.
 
She wet a finger to draw where the ocean would be
on his wrist, kissed him there,
named the ocean after herself.
 
Your grandfather’s hands were slow but urgent.
Your grandmother dreamt them,
 
a clockwork of fingers finding places to own–
under the tongue, collarbone, bottom lip,
arch of foot.
 
Your grandmother names his fingers after seasons–
index finger, a wave of heat,
middle finger, rainfall.
 
Some nights his thumb is the moon
nestled just under her rib.

“Your grandparents often found themselves
in dark rooms, mapping out
each other’s bodies,
 
claiming whole countries
with their mouths.”
Warsan Shire, Teaching My Mother How to Give Birth

Warsan Shire
“Not everyone is okay with living like an open wound. But the thing about open wounds is that, well, you aren’t ignoring it. You’re healing; the fresh air can get to it. It’s honest. You aren’t hiding who you are. You aren’t rotting. People can give you advice on how to heal without scarring badly. But on the other hand there are some people who’ll feel uncomfortable around you. Some will even point and laugh. But we all have wounds.”
Warsan Shire

Warsan Shire
“Perhaps, the problem is not the intensity of your love, but the quality of the people you are loving.”
Warsan Shire

Warsan Shire
“Old Spice
 
 
 
 
 
Every Sunday afternoon he dresses in his old army uniform,
tells you the name of every man he killed.
His knuckles are unmarked graves.
 
Visit him on a Tuesday and he will describe
the body of every woman he could not save.
He’ll say she looked like your mother
and you will feel a storm in your stomach.
 
Your grandfather is from another generation–
Russian degrees and a school yard Cuban national anthem,
communism and religion. Only music makes him cry now.
 
He married his first love, her with the long curls down
to the small of her back. Sometimes he would
pull her to him, those curls wrapped around his hand
like rope.
 
He lives alone now. Frail, a living memory
reclining in a seat, the room orbiting around him.
You visit him but never have anything to say.
When he was your age he was a man.
You retreat into yourself whenever he says your name.
 
Your mother’s father,
“the almost martyr,
can load a gun under water
in under four seconds.
 
Even his wedding night was a battlefield.
A Swiss knife, his young bride,
his sobs as he held Italian linen between her legs.
 
His face is a photograph left out in the sun,
the henna of his beard, the silver of his eyebrows
the wilted handkerchief, the kufi and the cane.
 
Your grandfather is dying.
He begs you Take me home yaqay,
I just want to see it one last time;
you don’t know how to tell him that it won’t be
anything like the way he left it.”
Warsan Shire, Teaching My Mother How to Give Birth

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