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What We Can Know
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by Ian McEwan (Goodreads Author)
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The Bastard of Is...
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by Elif Shafak (Goodreads Author)
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Mindset: The New ...
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Matt Haig
“I consoled myself with random prime numbers: 73. 131. 977. 1,213. 83,719. Each as indivisible as love, except by one and itself.”
Matt Haig, The Humans

Elif Batuman
“I kept thinking about the uneven quality of time—the way it was almost always so empty, and then with no warning came a few days that felt so dense and alive and real that it seemed indisputable that that was what life was, that its real nature had finally been revealed. But then time passed and unthinkably grew dead again, and it turned out that that fullness had been an aberration and might never come back. I wanted to write about it while I could still feel it and see it around me, while the teacups still seemed to be trembling. Suddenly it occurred to me that maybe the point of writing wasn’t just to record something past but also to prolong the present, like in One Thousand and One Nights, to stretch out the time until the next thing happened and, just as I had that thought, I saw a dark shape behind the frosted glass and heard a knock on the door.”
Elif Batuman, The Idiot

Elif Batuman
“The studio had a glass wall overlooking the pool, where a scuba lesson was in session. How did all those people know that they wanted to know how to scuba dive?”
Elif Batuman, The Idiot

Elif Batuman
“At the playground, Evren always wanted me to tell the other children, the boys, that I was from America. It was never something I felt like doing: hunting down strange boys, to tell them about America. Wasn't that what I had earned, by always being different in America: the right to be the same, here?”
Elif Batuman, Either/Or

Elif Shafak
“Something peculiar happens then. The giant sculptures from the banks of the Tigris, though still majestic, begin to seem less intimidating. Somewhat defenseless. Almost vulnerable. The boy feels a surge of empathy for the bound stone beasts as he watches them being hauled with hemp ropes through the lofty doors of the British Museum, where they disappear into perpetual exile. Creatures of the river trying to adapt to dry land, lonely and lost in this grinding city, just as he has been all his life.”
Elif Shafak, There Are Rivers in the Sky

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