Idin Aazami

“So, who are they really, these hundred thousand white supremacists? They're every white guy who believed that this land was his land, made for you and me. They're every down-on-his-luck guy who just wanted to live a decent life but got stepped on, every character in a Bruce Springsteen or Merle Haggard song, every cop, soldier, auto mechanic, steelworker, and construction worker in America's small towns who can't make ends meet and wonders why everyone else is getting a break except him. But instead of becoming Tom Joad, a left-leaning populist, they take a hard right turn, ultimately supporting the very people who have dispossessed them.

They're America's Everymen, whose pain at downward mobility and whose anger at what they see as an indifferent government have become twisted by a hate that tells them they are better than others, disfigured by a resentment so deep that there are no more bridges to be built, no more ladders of upward mobility to be climbed, a howl of pain mangled into the scream of a warrior. Their rage is as sad as it is frightening, as impotent as it is shrill.”
― Michael S. Kimmel, Angry White Men: American Masculinity at the End of an Era

“I would like to make a film to tell children "it's good to be alive".”
― Hayao Miyazaki

“In our families, we are finding that abandoning that sense of masculine entitlement actually enables us to live happier lives.”
― Michael S. Kimmel, Angry White Men: American Masculinity at the End of an Era

“We live in an age when it is cheaper to buy the rights to movies than to make them.”
― Hayao Miyazaki