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L'ultima estate i...
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Colori proibiti
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Tales of Hoffmann
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Monique Truong
“Sweet Sunday Man, there is a fire at 27 rue de Fleurus. When you and the other guests show up for Saturday tea and see the flames, do you rush in to save my Mesdames, the contents of their cupboard, or their cook? The correct answer is Basket and Pépé. My Madame and Madame, as everyone knows, can take care of themselves. The cupboard also needs no assistance because Miss Toklas would run back into the burning apartment until every sheet of paper touched by GertrudeStein was safe in her arms. As for the cook, the assembled guests would scratch their heads and ask, "The Steins have a cook?”
Monique Truong, The Book of Salt

Chingiz Aitmatov
“They say on the radio that our children will live better, easier lives in the future, but clearly you think that things will be more difficult for them than it has been for us. There’ll be an atomic war, perhaps?’ ‘Well, yes and no; but it’s not only to do with the bomb. Perhaps there won’t be a war at all – even if there is, it’ll not be soon. Nor am I talking about food problems. Simply, the wheel of time is gathering speed. They’ll have to approach everything on their own, using their own mind, and partly they’ll have to answer for what we did in the past. It’s always hard to have to think things out. Therefore, I say, life will be harder for them than it has been for us.”
Chingiz Aitmatov, The Day Lasts More than a Hundred Years

John Berger
“At the age of fourteen his face was no longer that of a child. The change is sometimes thought of as a coarsening process; this misses the point. The change—which may occur any time between fourteen and twenty-four—involves a simultaneous gain and loss in expressiveness. The texture of the skin, the form of the flesh over the bones, become mute; their appearance becomes a covering, whereas in childhood it is a declaration of being. (Compare our response to children and to adults: we give to the existence of children the value we give to the intentions of adults.) However, the openings in the covering—especially the eyes and mouth—become more expressive, precisely because they now offer indications of what lies hidden behind.”
John Berger, G.

Monique Truong
“What you would have given to see this, I think. Opportunity presents itself to me so rarely. I am amazed that I still recognized it. Yes, I think, what would you give? Endless Sundays drenched in cathedral bells, the left side of your bed, a good-night kiss instead of a good-bye one, a drawer for my razor and comb, your eyes warm on my face when I am serving you tea in my Mesdames' studio, your desire for me worn there like a red bloom in your lapel.”
Monique Truong, The Book of Salt

Aimé Césaire
“For my part, if I have recalled a few details of these hideous butcheries, it is by no means because I take a morbid delight in them, but because I think that these heads of men, these collections of ears, these burned houses, these Gothic invasions, this steaming blood, these cities that evaporate at the edge of the sword, are not to be so easily disposed of. They prove that colonization, I repeat, dehumanizes even the most civilized man; that colonial activity, colonial enterprise, colonial conquest, which is based on contempt for the native and justified by that contempt, inevitably tends to change him who undertakes it; that the colonizer, who in order to ease his conscience gets into the habit of seeing the other man as an animal, accustoms himself to treating him like an animal, and tends objectively to transform himself into an animal. It is this result, this boomerang effect of colonization that I wanted to point out.”
Aimé Césaire, Discourse on Colonialism

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