Lhoss

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L'ultima estate i...
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Colori proibiti
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Jul 14, 2026 01:07AM

 
Tales of Hoffmann
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Monique Truong
“To walk by without blinking an eye is to say to each other that we are human, whole, a man or a woman like any other, two lungfuls of air, a heart pumping blood, a stomach hungry for home-cooked food, a body in constant search for the warmth of the sun. Before I came to the rue de Fleurus, GertrudeStein, the only way I knew how to hold onto that moment of dispensation, that without-blinking-an-eye exchange, to keep it warm in my hands, was by threading silver through them. Blood makes me a man. No one can take that away from me, I thought. But as you know, GertrudeStein, in order for me to stay at the rue de Fleurus, I have had to give up the habit that has sustained me.”
Monique Truong, The Book of Salt

John Berger
“At the age of fourteen his face was no longer that of a child. The change is sometimes thought of as a coarsening process; this misses the point. The change—which may occur any time between fourteen and twenty-four—involves a simultaneous gain and loss in expressiveness. The texture of the skin, the form of the flesh over the bones, become mute; their appearance becomes a covering, whereas in childhood it is a declaration of being. (Compare our response to children and to adults: we give to the existence of children the value we give to the intentions of adults.) However, the openings in the covering—especially the eyes and mouth—become more expressive, precisely because they now offer indications of what lies hidden behind.”
John Berger, G.

Monique Truong
“Sweet Sunday Man, there is a fire at 27 rue de Fleurus. When you and the other guests show up for Saturday tea and see the flames, do you rush in to save my Mesdames, the contents of their cupboard, or their cook? The correct answer is Basket and Pépé. My Madame and Madame, as everyone knows, can take care of themselves. The cupboard also needs no assistance because Miss Toklas would run back into the burning apartment until every sheet of paper touched by GertrudeStein was safe in her arms. As for the cook, the assembled guests would scratch their heads and ask, "The Steins have a cook?”
Monique Truong, The Book of Salt

John Berger
“To be mounted is already to be a master, a knight. To represent the noble (in the ethical as well as the social sense). To vanquish. To feature, however modestly, in the annals of battle. Honour begins with a man and a horse. To get well away with the hounds is to be intrepid. To be ingenious. To be the respecter of nothing but the pace. To hunt is the opposite of to own. It is to ride over. To dart in the open. To be as men as free as the straight-necked dog-fox is as fox. To meet is to ride with others, who whatever their character know something of these values and help to preserve them. All that is opposed to these values appears to be represented by the invention of barbed wire. (The wire that, later, millions of infantrymen will die against on the orders of their mounted generals.)”
John Berger, G.

Aimé Césaire
“For my part, if I have recalled a few details of these hideous butcheries, it is by no means because I take a morbid delight in them, but because I think that these heads of men, these collections of ears, these burned houses, these Gothic invasions, this steaming blood, these cities that evaporate at the edge of the sword, are not to be so easily disposed of. They prove that colonization, I repeat, dehumanizes even the most civilized man; that colonial activity, colonial enterprise, colonial conquest, which is based on contempt for the native and justified by that contempt, inevitably tends to change him who undertakes it; that the colonizer, who in order to ease his conscience gets into the habit of seeing the other man as an animal, accustoms himself to treating him like an animal, and tends objectively to transform himself into an animal. It is this result, this boomerang effect of colonization that I wanted to point out.”
Aimé Césaire, Discourse on Colonialism

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