Megan Freeman

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Cosmos
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The Man on the Mo...
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Being There: Why ...
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Ludwig Feuerbach
“Though I myself am an atheist, I openly profess religion in the sense just mentioned, that is, a nature religion. I hate the idealism that wrenches man out of nature; I am not ashamed of my dependency on nature; I openly confess that the workings of nature affect not only my surface, my skin, my body, but also my core, my innermost being, that the air I breathe in bright weather has a salutary effect not only on my lungs but also on my mind, that the light of the sun illumines not only my eyes but also my spirit and my heart. And I do not, like a Christian, believe that such dependency is contrary to my true being or hope to be delivered from it. I know further that I am a finite moral being, that I shall one day cease to be. But I find this very natural and am therefore perfectly reconciled to the thought.”
Ludwig Feuerbach, Lectures on the Essence of Religion

Phillip Lewis
“We realize, though, because we must, that remembrance is finite. It crosses only so many generations before it fades to indistinction. One man remembers his father and perhaps his grandfather and the details of the lives that were lived. But it's harder to see further back in time. I know the name of my great-grandfather, but our living time did not intersect. We did not walk the earth at the same time. Thus, to me he's a photograph; a story I heard my grandfather tell. He's not a life I remember. And my children may not know him at all, unless by chance they can find him in a book. In time, he will be forgotten entirely, just as we all will with enough revolutions of the earth around the slowly expiring sun. Each fragile heart now beating will one day stop ... We are little more than one tree's growth of leaves in hillside forest. We will enjoy our brief moment in the sun, only to fall away with all the other to make way for the next bright young generation.”
Phillip Lewis, The Barrowfields

Ben Lerner
“Poetry arises from the desire to get beyond the finite and the historical—the human world of violence and difference—and to reach the transcendent or divine. You're moved to write a poem, you feel called upon to sing, because of that transcendent impulse. But as soon as you move from that impulse to the actual poem, the song of the infinite is compromised by the finitude of its terms.”
Ben Lerner, The Hatred of Poetry

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