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“The brain is heavily influenced by genes. But from birth through young adulthood, the part of the human brain that most defines us (frontal cortex) is less a product of the genes with which you started life than of what life has thrown at you. Because it is the last to mature, by definition the frontal cortex is the brain region least constrained by genes and most sculpted by experience. This must be so, to be the supremely complex social species that we are. Ironically, it seems that the genetic program of human brain development has evolved to, as much as possible, free the frontal cortex from genes.”
― Behave: The Biology of Humans at Our Best and Worst
― Behave: The Biology of Humans at Our Best and Worst
“Our comforting conviction that the world makes sense rests on a secure foundation: our almost unlimited ability to ignore our ignorance.”
― Thinking, Fast and Slow
― Thinking, Fast and Slow
“I am a free man—and I need my freedom. I need to be alone. I need to ponder my shame and my despair in seclusion; I need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company. What do you want of me? When I have something to say, I put it in print. When I have something to give, I give it. Your prying curiosity turns my stomach! Your compliments humiliate me! Your tea poisons me! I owe nothing to any one. I would be responsible to God alone—if He existed!”
― Un uomo finito
― Un uomo finito
“¿Qué era lo que yo quería aprender? ¿Qué quería hacer? No lo sabía. Ni programas ni guías: ninguna idea concreta. De acá o de allá, este u oeste, en profundidad o en altura. Solamente saber, saber todo. —He aquí la palabra de mi desastre: ¡todo!”
― Un uomo finito
― Un uomo finito
“La desaparición de mínimos consensos sobre los valores estéticos hace que en este ámbito la confusión reine y reinará por mucho tiempo, pues ya no es posible discernir con cierta objetividad qué es tener talento o carecer de él, qué es bello y qué es feo, qué obra representa algo nuevo y durable y cuál no es más que un fuego fatuo. Esa confusión ha convertido el mundo de las artes plásticas en un carnaval donde genuinos creadores y vivillos y embusteros andan revueltos y a menudo resulta difícil diferenciarlos. Inquietante anticipo de los abismos a que puede llegar una cultura enferma”
― La civilización del espectáculo
― La civilización del espectáculo
Jagr’s 2025 Year in Books
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