“قال: الليالي جرعتني علقما
قلت: ابتسم ولئن جرعت العلقما!
فلعل غيرك إن رآك مرنما
طرح الكآبة جانبا وترنما
أتراك تغنم بالتبرم درهما
أم أنت تخسر بالبشاشة مغنما؟!
يا صاح لا خطر على شفتيك أن
تتثلما والوجه أن يتحطما
فاضحك فإن الشهب تضحك والدجى
متلاطم ولذا نحب الأنجما”
―
قلت: ابتسم ولئن جرعت العلقما!
فلعل غيرك إن رآك مرنما
طرح الكآبة جانبا وترنما
أتراك تغنم بالتبرم درهما
أم أنت تخسر بالبشاشة مغنما؟!
يا صاح لا خطر على شفتيك أن
تتثلما والوجه أن يتحطما
فاضحك فإن الشهب تضحك والدجى
متلاطم ولذا نحب الأنجما”
―
“It's so curious: one can resist tears and 'behave' very well in the hardest hours of grief. But then someone makes you a friendly sign behind a window, or one notices that a flower that was in bud only yesterday has suddenly blossomed, or a letter slips from a drawer... and everything collapses. ”
―
―
“I felt after I finished Slaughterhouse-Five that I didn’t have to write at all anymore if I didn’t want to. It was the end of some sort of career. I don’t know why, exactly. I suppose that flowers, when they’re through blooming, have some sort of awareness of some purpose having been served. Flowers didn’t ask to be flowers and I didn’t ask to be me. At the end of Slaughterhouse-Five…I had a shutting-off feeling…that I had done what I was supposed to do and everything was OK .”
― Conversations with Kurt Vonnegut
― Conversations with Kurt Vonnegut
“This is why dreams can be such dangerous things: they smolder on like a fire does, and sometimes they consume us completely.”
― Memoirs of a Geisha
― Memoirs of a Geisha
نوران’s 2025 Year in Books
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