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The Atrocity Arch...
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by Charles Stross (Goodreads Author)
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A Clash of Kings
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The Left Hand of ...
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Milan Kundera
“Once, when he had just lulled her to sleep but she had gone no farther than dream's antechamber and was therefore still responsive to him, he said to her, "Good-bye, I'm going now." "Where?" she asked in her sleep. "Away," he answered sternly. "Then I'm going with you," she said, sitting up in bed. "No, you can't. I'm going away for good," he said, going out into the hall. She stood up and followed him out, squinting. She was naked beneath her short nightdress. Her face was blank, expressionless, but she moved energetically. He walked through the hall of the flat into the hall of the building (the hall shared by all the occupants), closing the door in her face. She flung it open and continue to follow him, convinced in her sleep that he meant to leave her for good and she had to stop him. He walked down the stairs to the first landing and waited for her there. She went down after him, took him by the hand, and led him back to bed.
Tomas came to this conclusion: Making love with a woman and sleeping with a woman are two separate passions, not merely different but opposite. Love does not make itself felt in the desire for copulation (a desire that extends to an infinite number of women) but in the desire for shared sleep (a desire limited to one woman).”
― Milan Kundera, The Unbearable Lightness of Being

Margaret Atwood
“These things sneak up on him for no reason, these flashes of irrational happiness. It's probably a vitamin deficiency.”
― Margaret Atwood, Oryx and Crake

Friedrich Nietzsche
“And if a friend does you wrong, then say: "I forgive you what you have done to me; that you have done it to YOURSELF, however--how could I forgive that!”
― Friedrich Nietzsche, Thus Spoke Zarathustra

Joe Abercrombie
“Something dug into the Bloody-Nine's back, but there was no pain. It was a sign. A message in a secret tongue, that only he could understand. It told him where the next dead man was standing.”
― Joe Abercrombie, The Blade Itself

Milan Kundera
“While people are fairly young and the musical composition of their lives is still in its opening bars, they can go about writing it together and sharing motifs (the way Tomas and Sabina exchanged the motif of the bowler hat), but if they meet when they are older, like Franz and Sabina, their musical compositions are more or less complete, and every motif, every object, every word means something different to each of them.”
― Milan Kundera

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