Meor

“I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they wont' just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...”
― Philip Pullman, His Dark Materials - The Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass

“Iorek Byrnison: Can is not the same as must.
Lyra Silvertongue: But if you must and you can, then there's no excuse.”
― Philip Pullman, The Amber Spyglass

“Little textual note for you here (bear with me). Those of you unfortunate enough not to be reading or hearing this in Marain may well be using a language without the requisite number or type of personal pronouns, so I’d better explain that bit of the translation. Marain, the Culture’s quintessentially wonderful language (so the Culture will tell you), has, as any schoolkid knows, one personal pronoun to cover females, males, in-betweens, neuters, children, drones, Minds, other sentient machines, and every life-form capable of scraping together anything remotely resembling a nervous system and the rudiments of language (or a good excuse for not having either). Naturally, there are ways of specifying a person’s sex in Marain, but they’re not used in everyday conversation; in the archetypal language-as-moral-weapon-and-proud-of-it, the message is that it’s brains that matter, kids; gonads are hardly worth making a distinction over.”
― Iain M. Banks, The Player of Games

“Lee saw the fireball and head through the roar in his ears Hester saying, "That's the last of 'em Lee."

He said, or thought, "Those poor men didn't have to come to this, nor did we."

She said, "We held 'em off. We held out. We're a-helping Lyra."

Then she was pressing her little proud broken self against his face, as close as she could get, and then they died.”
― Philip Pullman, The Subtle Knife