Sara

“Choices are made in brief seconds and paid for in the time that remains.”
― Paolo Giordano, The Solitude of Prime Numbers

“I like to work in watercolor, with as little under-drawing as I can get away with. I like the unpredictability of a medium which is affected as much by humidity, gravity, the way that heavier particles in the wash settle into the undulations of the paper surface, as by whatever I wish to do with it. In other mediums you have more control, you are responsible for every mark on the page — but with watercolor you are in a dialogue with the paint, it responds to you and you respond to it in turn. Printmaking is also like this, it has an unpredictable element. This encourages an intuitive response, a spontaneity which allows magic to happen on the page. When I begin an illustration, I usually work up from small sketches — which indicate in a simple way something of the atmosphere or dynamics of an illustration; then I do drawings on a larger scale supported by studies from models — usually friends — if figures play a large part in the picture. When I've reached a stage where the drawing looks good enough I'll transfer it to watercolor paper, but I like to leave as much unresolved as possible before starting to put on washes. This allows for an interaction with the medium itself, a dialogue between me and the paint. Otherwise it is too much like painting by number, or a one-sided conversation.”
― Alan Lee

“And the man who remains calm inevitably takes command of a situation.”
― Hope Mirrlees, Lud-in-the-Mist

“Many manage to improve on the first drafts of the lives they are given. But for that they need the courage to jump off a diving board fifty meters high, blindfolded, not knowing if it is water or asphalt that awaits them below.”
― Alexandre Vidal Porto, Sergio Y.