Kris

“I found a brief piece of by Antonio Vivaldi around this time which became my ‘Pinhead Mood Music’. Called Al Santo Sepolcro (At The Holy Sepulchre), it opens more like a piece of modern orchestral music, and although it it moves toward Vivaldi’s familiar harmonies, there is always the threat that it will fall back into dissonance. The piece progresses in an exquisite agony, poised on a knife edge between beauty and disfigurement, joy and sorrow, pleasure and pain. Perfect.”
― Doug Bradley, Behind the Mask of the Horror Actor

“Strip back the beliefs pasted on by governesses, schools, and states, you find indelible truths at one's core. Rome'll decline and fall again, Cortés'll lay Tenochtitlán to waste again, and later, Ewing will sail again, Adrian'll be blown to pieces again, you and I'll sleep under the Corsican stars again, I'll come to Bruges again, fall in and out of love with Eva again, you'll read this letter again, the sun'll grow cold again. Nietzsche's gramophone record. When it ends, the Old One plays it again, for an eternity of eternities.”
― David Mitchell, Cloud Atlas

“Worst of all, the inner vault is guarded by a live dragon, attended by fifty naked women armed with poisoned spears, each of them sworn to die in Requin's service. All redheads.
-You're just making that up, Jean.”
― Scott Lynch, Red Seas Under Red Skies

“Fantasy. Lunacy.
All revolutions are, until they happen, then they are historical inevitabilities.”
― David Mitchell, Cloud Atlas