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“To think of him in the middle of the day lifts me out of ordinary living.”
― The Diary of Anaïs Nin, Vol. 1: 1931-1934
― The Diary of Anaïs Nin, Vol. 1: 1931-1934
“The body is an instrument which only gives off music when it is used as a body. Always an orchestra, and just as music traverses walls, so sensuality traverses the body and reaches up to ecstasy.”
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“I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naïve or innocent, who has the courage to treat me like a woman.”
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“And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.”
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“Man can never know the loneliness a woman knows. Man lies in the woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. Woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which she is bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love a taking of man within her, an act of birth and rebirth, of child rearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to be. But for woman, the climax is not in the birth, but in the moment man rests inside of her.”
― The Diary of Anaïs Nin, Vol. 1: 1931-1934
― The Diary of Anaïs Nin, Vol. 1: 1931-1934
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