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Real Americans
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by Rachel Khong (Goodreads Author)
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Book cover for Tender Is the Flesh
His brain warns him that there are words that cover up the world. There are words that are convenient, hygienic. Legal.
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Elena Ferrante
“And the plane began it's takeoff. How exciting it was to lift off from the ground with a jerk and see the houses that became parallelepipettes and the streets that changed into strips and the countryside that was reduced to a green patch and the sea that inclined like a compact paving stone and the clouds that fell below in a landslide of soft rocks and the anguish, the pain, the very happiness that became a part of a unique luminous motion. It seemed to me that flying subjected everything to a process of simplification and I sighed, I tried to lose myself. Every so often I asked Nino "are you happy?" and he nodded yes, kissed me. At times I had the impression that the floor under my feet, the only surface I could count on, was trembling.”
― Elena Ferrante, Those Who Leave and Those Who Stay

Elena Ferrante
“When the task we give ourselves has the urgency of passion, there's nothing that can keep us from completing it.”
― Elena Ferrante, Those Who Leave and Those Who Stay

Elena Ferrante
“Maybe, I thought, I’ve given too much weight to the cultivated use of reason, to good reading, to well controlled language, to political affiliation; maybe, in the face of abandonment, we are all the same; maybe not even a very orderly mind can endure the discovery of not being loved.”
― Elena Ferrante, Those Who Leave and Those Who Stay

Elena Ferrante
“Become. It was a verb that had always obsessed me...I wanted to become, even though I had never known what. And I had become, that was certain, but without an object, without a real passion, without a determined ambition.”
― Elena Ferrante, Those Who Leave and Those Who Stay

Elena Ferrante
“In recent years I had begun to be interested in fashion, to educate my taste under Adele's guidance, and now I enjoyed dressing up. But sometimes - especially when I had dressed not only to make a good impression in general, but for a man - preparing myself (this was the word) seemed to me to have something ridiculous about it. All that struggle, all that time spent camouflaging myself when I could be doing something else. The colors that suited me, the ones that didn't, the styles that made me look thinner, those that made me fatter, the cut that flattered me, the one that didn't. A lengthy, costly preparation. Reducing myself to a table set for the sexual appetite of the male, to a well-cooked dish to make his mouth water.”
― Elena Ferrante, Those Who Leave and Those Who Stay

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