Ariana Malaspina

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Rites of the Star...
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by Devney Perry (Goodreads Author)
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Fire & Blood
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  (page 103 of 706)
Aug 05, 2024 09:15AM

 
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John  Green
“NO. No no no. I don't want to screw you. I just love you. When did who you want to screw become the whole game? Since when is the person you want to screw the only person you get to love? It's so stupid, Tiny! I mean, Jesus, who even gives a fuck about sex?! People act like it's the most important thing humans do, but come on. How can our sentient fucking lives revolve around something slugs can do. I mean, who you want to screw and whether you screw them? Those are important questions, I guess. But they're not that important. You know what's important? Who would you die for? Who do you wake up at five forty-five in the morning for even though you don't even know why he needs you? Whose drunken nose would you pick?!”
John Green, Will Grayson, Will Grayson

John  Green
“Don't you know who you love, Pudge? You love the girl who makes you laugh and shows you porn and drinks wine with you. You don't love the crazy, sullen bitch.”
John Green, Looking for Alaska

John  Green
“Jesus, I’m not going to be one of those people who sits around talking about what they’re gonna do. I’m just going to do it. Imagining the future is a kind of nostalgia. ... You spend your whole life stuck in the labyrinth, thinking about how you’ll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present”
John Green, Looking for Alaska

John  Green
“What is the point of being alive if you don't at least try to do something remarkable?”
John Green, An Abundance of Katherines

John  Green
“And all at once I knew how Margo Roth Spiegelman felt when she wasn't being Margo Roth Spiegelman: she felt empty. She felt the unscaleable wall surrounding her. I thought of her asleep on the carpet with only that jagged sliver of sky above her. Maybe Margo felt comfortable there because Margo the person lived like that all the time: in an abandoned room with blocked-out windows, the only light pouring in through holes in the roof. Yes. The fundamental mistake I had always made—and that she had, in fairness, always led me to make—was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.”
John Green, Paper Towns

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