Roseanne

“And certainly there are many speakers whom I’d like to see do more trembling, more unknowing, more apologizing.”
― Maggie Nelson, The Argonauts

“I think my mother is beautiful. But her negative feelings about her body can generate a force field that repels any appreciation of it. I’ve long known the drill: Boobs, too small. Butt, too big. Face, bird-like. Upper arms, old. But it’s not just age—she even disparages the way she looks in baby pictures. I don’t know why she has never seen herself as beautiful. I think I’ve been waiting all these years for her to do so, as if that kind of self-love would somehow offer her body to me. But now I realize—she already gave it to me. At times I imagine her in death, and I know that her body, in all its details, will flood me. I do not know how I will survive it.”
― Maggie Nelson, The Argonauts

“Most people decide at some point that it is better … to be enthralled with what is impoverished or abusive than not to be enthralled at all and so to lose the condition of one’s being and becoming.”
― Maggie Nelson, The Argonauts

“I know now that a studied evasiveness has its own limitations, its own ways of inhibiting certain forms of happiness and pleasure. The pleasure of abiding. The pleasure of insistence, of persistence. The pleasure of obligation, the pleasure of dependency. The pleasures of ordinary devotion. The pleasure of recognizing that one may have to undergo the same realizations, write the same notes in the margin, return to the same themes in one’s work, relearn the same emotional truths, write the same book over and over again—not because one is stupid or obstinate or incapable of change, but because such revisitations constitute a life.”
― Maggie Nelson, The Argonauts